纪录片部落--纪录片《[BBC纪录片]升级我UpgradeMe-1080P高清迅雷网盘下载》高清百度云1080p下载
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西蒙·阿米蒂奇（Simon Armitage）主持并由BBC在2009年出版的《自然》科学纪录片-英语旁白Nature, Science Documentary hosted by Simon Armitage and published by BBC in 2009- English narration
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诗人和小工具爱好者Simon Armitage探索人们对升级到最新技术小工具的痴迷。升级文化驱使数百万人购买最新的手机，平板电视，笔记本电脑和MP3播放器。但是，是设计，功能，时尚或朋友让人们渴望升级吗？小工具的选择在多大程度上定义了身份？西蒙（Simon）穿越英国和韩国寻找答案。这里有很多发人深省的材料。我尤其喜欢阿米蒂奇（Armitage）的断言，即越来越多的年轻人不再怀旧，因为没有什么技术可以在家里待得足够长的时间来唤起深情的回忆。他有一点。我太太和我一起看节目，对除去笔尖上的绒毛感到迷茫，虽然我甚至记得我们家庭Dansette电唱机的气味，但它的奶油色和红色皮革效果盒。我想我们的孩子这一代人可能终生苦苦挣扎，甚至不知道从手写笔上去除绒毛的满意程度，但是很难想象它们会被MP3播放器和iPod的记忆带回过去，因为索尼和苹果公司的聪明人会在记忆完全形成之前想出新的东西。即使他们确实记得2050年的iPod，也肯定不会像Armitage用电动剃须刀形容他的童年收音机那样“渴望”，“它只播放了Radio 1，实际上似乎只播放了“ Grandad”。克莱夫·邓恩。”?那些日子，我的朋友。还是那是玛丽·霍普金（Mary Hopkin）？我想我们的孩子这一代人可能一生都在苦苦挣扎，甚至不知道从手写笔上去除绒毛的满足感，但是很难想象他们会因为MP3的记忆而及时回到过去播放器和iPod，因为Sony和Apple的聪明人会在记忆完全形成之前想出新的东西。即使他们确实记得2050年的iPod，也肯定不会像Armitage用电动剃须刀形容他的童年收音机那样“渴望”，“它只播放了Radio 1，实际上似乎只播放了“ Grandad”。克莱夫·邓恩。”?那些日子，我的朋友。还是那是玛丽·霍普金（Mary Hopkin）？我想我们的孩子这一代人可能一生都在苦苦挣扎，甚至不知道从手写笔上去除绒毛的满足感，但是很难想象他们会因为MP3的记忆而及时回到过去播放器和iPod，因为Sony和Apple的聪明人会在记忆完全形成之前想出新的东西。即使他们确实记得2050年的iPod，也肯定不会像Armitage用电动剃须刀形容他的童年收音机那样“渴望”，“它只播放了Radio 1，实际上似乎只播放了“ Grandad”。克莱夫·邓恩。”?那些日子，我的朋友。还是那是玛丽·霍普金（Mary Hopkin）？我们这一代人可能一生都在挣扎，甚至不知道从手写笔上去除绒毛的满意度，但是很难想象他们会被MP3播放器和iPod的记忆带回过去，因为索尼和苹果公司的聪明人会来了在记忆完全形成之前先尝试一些新事物。即使他们确实记得2050年的iPod，也肯定不会像Armitage用电动剃须刀形容他的童年收音机那样“渴望”，“它只播放了Radio 1，实际上似乎只播放了“ Grandad”。克莱夫·邓恩。”?那些日子，我的朋友。还是那是玛丽·霍普金（Mary Hopkin）？我们这一代人可能一生都在挣扎，甚至不知道从手写笔上去除绒毛的满意度，但是很难想象他们会被MP3播放器和iPod的记忆带回过去，因为索尼和苹果公司的聪明人会来了在记忆完全形成之前先尝试一些新事物。即使他们确实记得2050年的iPod，也肯定不会像Armitage用电动剃须刀形容他的童年收音机那样“渴望”，“它只播放了Radio 1，实际上似乎只播放了“ Grandad”。克莱夫·邓恩。”?那些日子，我的朋友。还是那是玛丽·霍普金（Mary Hopkin）？因为索尼和苹果公司的聪明人会在这些记忆完全形成之前想出新的东西。即使他们确实记得2050年的iPod，也肯定不会像Armitage用电动剃须刀形容他的童年收音机那样“渴望”，“它只播放了Radio 1，实际上似乎只播放了“ Grandad”。克莱夫·邓恩。”?那些日子，我的朋友。还是那是玛丽·霍普金（Mary Hopkin）？因为索尼和苹果公司的聪明人会在这些记忆完全形成之前想出新的东西。即使他们确实记得2050年的iPod，也肯定不会像Armitage用电动剃须刀形容他的童年收音机那样“渴望”，“它只播放了Radio 1，实际上似乎只播放了“ Grandad”。克莱夫·邓恩。”?那些日子，我的朋友。还是那是玛丽·霍普金（Mary Hopkin）？Poet and gadget lover Simon Armitage explores people's obsession with upgrading to the latest technological gadgetry.Upgrade culture drives millions to purchase the latest phones, flatscreen TVs, laptops and MP3 players. But is it design, functionality, fashion or friends that makes people covet the upgrade, and how far does the choice of gadgets define identity? Simon journeys across Britain and to South Korea in search of answers.There was plenty of thought-provoking material here. I especially liked Armitage's assertion that younger generations are increasingly being denied a source of nostalgia, because nothing technological stays long enough in the home to stir affectionate memories. He has a point. My wife watched the programme alongside me and got quite misty-eyed about removing fluff from her stylus, while I remembered even the smell of our family Dansette record-player, in its cream-and-red leather-effect case.I suppose our children's generation might struggle on through life without ever knowing the satisfaction of removing fluff from a stylus, but it's hard to imagine them being wafted back in time by memories of their MP3 players and iPods, because the clever people at Sony and Apple will have come up with something new before the memories are fully formed. And even if they do recall their iPods in 2050, it surely won't be as wistfully as Armitage described his boyhood radio in the shape of an electric shaver, "which only played Radio 1, in fact only seemed to play "Grandad" by Clive Dunn." Those were the days, my friend. Or was that Mary Hopkin?
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