小小白 发表于 2021-7-27 01:55:06

人文社科纪录片《彭特西勒亚》(1974)Penthesilea-纪录片下载1080P/720P/360P高清标清网盘BT迅雷下载

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人文社科纪录片《彭特西勒亚》(1974)Penthesilea-纪录片下载1080P/720P/360P高清标清网盘BT迅雷下载


彭特西勒亚(1974)
Penthesilea
导演：
PeterWollen/LauraMulvey
类型：纪录片
地区：英国
语言：英语
片长：99分钟
上映时间：
1974

豆瓣得分：暂无豆瓣评分
IMDb：tt0071983

剧情简介
　　1974英国纪录片《彭特西勒亚》由PeterWollen导演，影片讲述的是：Thefilmiscomposedoffivesequenceseachprecededbyaquotation1“Ghostwhitelikeanotyetwrittenpage”Mallarmé“Mimique”AmimeofKleist’sPenthesileafilmedinlongshotfromafixedcameraposition2“Theshadowssprinkledinblackcharacters”Mallarmé“Quantaulivre”AlectureonKleist’splaythemythofPenthesileaandthetheoreticalbasisofthefilmdeliveredbyPeterWollenwhilemovingaboutaterraceandadjoininglivingroomthecameratracinganindependenttrajectorywithinthesameconfinedspaceandoccasionallyapproachingtheindexcardsofnotesleftbehindbyWollenatvariousstagesinhisroute3“Blazonsofphobiasealsofselfpunishment”LacanafterVicoAsuccessionofimagesrelatingtoPenthesileaandtheAmazons—paintingssculpturesartifactstapestriesetcincludingframesfromaWonderWomancomicbook—separatedbyanimatedwipesandmaskingsandaccompaniedonthesoundtrackbyBerio’s“Visage”4“Netoflightonoverlight”HD“Projector”AsilentfilmWhat80MillionWomenWant1913onwhichawoman’sfaceincolorissuperimposedspeakingthewordsoffeministJesseAshley5“Notesonthemagicwritingpad”FreudFourblackandwhitetelevisionscreenssimultaneouslypresentTheprecedingsectionsofthefilmthecameraoccasionallyisolatesanindividualscreenandsimilarlythesoundtrackoccasionallyhighIightsoneoftheprecedingsoundtracksgraduallythematerialonthescreensisreplacedbynewfootageofthemimeactressportrayingPenthesileareturningtoherdressingroomtakingoffhermakeupandaddressingthecameraFascinatingoverallforitsinvestigationintoalternativedidacticmethodsandtherelationshipbetweenindependentlyexpressivesurfacesandtextsPenthesileaisfarfromsimplegoingwhenoneconfrontstheopeningsequencetooremotefromboththemimeitselfandone’ssubsequentperceptionofthefilm’sgeneraldesignitsimplydemandsmoreorlessthanonecancomfortablybringtoitOncepastthisobstacle—aninterestingandlegitimatesequencethatacquiresinterestonlyafterthefact—oneisswiftlyrewardedbythewordsandcameramovementsofsequence2whichbeautifullyjugglesoundandimagetheoryandpracticeWollen’strajectoryandthecamera’sinsomethingresemblingatwopartinventionWittiestofallarethecuecardsstrewninWollen’spathwhichthecamera‘picksup’afterhimlikeadutifulservantsometimesthewordsonthecardduplicateanearlierpartofthelecturesometimesthereflectionoflightonthecardsmakesthewordsparadoxicallyillegibleandatonestrangejuncture—properlyspeakingtheonly‘fictional’momentintheentirefilm—thewordsappearjustastheyarebeingspokeninanotherroomSequence3registersasasystematicexplorationintohowonecanarriveatanorderofthingsthesuccessionofWonderWomanframesprovidinganinventoryofwaysoneimagecanfollowanotherwhiletheBeriopieceoffsetsthiswithwhatisdescribedintheAutumn1974ScreenaninterviewwithMulveyandWollenthatusefullysupplementsthefilmas“the‘birth’ofanewformoflanguage”4juxtaposestwo‘texts’intheformofsuperimposedimageswithahistoricalartifactsetagainstacontemporaryrecitationofahistoricaldocumentand5exploitssomeoftheWavelengthlikeparadoxesofrelativeillusionistsurfacesaswhenthecameramovesintoaTVscreenshowingsequence2wherethecameraisalsomovingwhiledrawingallofthepreviousjuxtapositionsandnewmaterialintofreshmixturesandrelationshipsEachsequenceitmustbenotedconsistsoftworeels‘invisibly’joinedinthemannerofRopeandthejustificationsforthisnoneditingarestatedsuccinctlyinWollen’slecturewhichalsoalludesto“Thespacebetweenastorythatisnevertoldandahistorythathasneveryetbeenmade”—thatarrayoflecturematerialaroundanunarticulatedstorythatthefilmoccupieswithspeculativepastmythandspeculativeutopianmythdevelopingconcurrentlyfromtheemptyspacesCuriouslybutperhapsinevitablythefilm’sconceptualframeworksomewhatoverridesthefeministthemeitpursuesandthequestionofhowoneperceivesPenthesileabecomessomewhatmoreofasubjectthanthefigureherselfOnerecallsthestructureofGodard’sOnePlusOnewithitssimilarnotionofgrapplingwithdiversephenomenabyplacingthemsidebysidealbeitinaneditedcontextwiththeAnneWiazemskyquestionandanswersequenceperforminganexpositionalfunctionsomewhatanalogoustoWollen’slectureButOnePlusOnearguablyrepresentedtheendofsomethingwhilePenthesileasuggestsabeginning—astepforwardintheEuropeanavantgardethatcrossfertilizesmoreactivecurrentsfromtheAmericanstructuralfilmtoTelQuelthanthisreviewcouldhopetoenumerateAnobjectforreflectionandinquirymorethana‘finished’statementitisatheoreticaldoityourselfkit–orstateddifferentlyanexploratorytool–ofthefirstimportanceJONATHANROSENBAUM


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人文社科纪录片《彭特西勒亚》(1974)Penthesilea-纪录片下载1080P/720P/360P高清标清网盘BT迅雷下载

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酷卡卡 发表于 2021-8-19 18:10:10

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bwmd2009 发表于 2021-8-30 03:34:03

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diego 发表于 2021-9-1 03:05:43

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diego 发表于 2021-9-1 17:54:57

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酷卡卡 发表于 2021-11-8 13:50:13

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mouz 发表于 2021-12-26 05:41:05

最喜欢看这类纪录片了

小猪瞰夕阳 发表于 2022-2-16 07:38:32

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qw2018 发表于 2022-5-8 03:53:14

感谢这个论坛
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