人文社科纪录片《彭特西勒亚》(1974)Penthesilea-纪录片下载1080P/720P/360P高清标清网盘BT迅雷下载
彭特西勒亚(1974)
Penthesilea
导演：
PeterWollen/LauraMulvey
类型：纪录片
地区：英国
语言：英语
片长：99分钟
上映时间：
1974
豆瓣得分：暂无豆瓣评分
IMDb：tt0071983
剧情简介
1974英国纪录片《彭特西勒亚》由PeterWollen导演，影片讲述的是：Thefilmiscomposedoffivesequenceseachprecededbyaquotation1“Ghostwhitelikeanotyetwrittenpage”Mallarmé“Mimique”AmimeofKleist’sPenthesileafilmedinlongshotfromafixedcameraposition2“Theshadowssprinkledinblackcharacters”Mallarmé“Quantaulivre”AlectureonKleist’splaythemythofPenthesileaandthetheoreticalbasisofthefilmdeliveredbyPeterWollenwhilemovingaboutaterraceandadjoininglivingroomthecameratracinganindependenttrajectorywithinthesameconfinedspaceandoccasionallyapproachingtheindexcardsofnotesleftbehindbyWollenatvariousstagesinhisroute3“Blazonsofphobiasealsofselfpunishment”LacanafterVicoAsuccessionofimagesrelatingtoPenthesileaandtheAmazons—paintingssculpturesartifactstapestriesetcincludingframesfromaWonderWomancomicbook—separatedbyanimatedwipesandmaskingsandaccompaniedonthesoundtrackbyBerio’s“Visage”4“Netoflightonoverlight”HD“Projector”AsilentfilmWhat80MillionWomenWant1913onwhichawoman’sfaceincolorissuperimposedspeakingthewordsoffeministJesseAshley5“Notesonthemagicwritingpad”FreudFourblackandwhitetelevisionscreenssimultaneouslypresentTheprecedingsectionsofthefilmthecameraoccasionallyisolatesanindividualscreenandsimilarlythesoundtrackoccasionallyhighIightsoneoftheprecedingsoundtracksgraduallythematerialonthescreensisreplacedbynewfootageofthemimeactressportrayingPenthesileareturningtoherdressingroomtakingoffhermakeupandaddressingthecameraFascinatingoverallforitsinvestigationintoalternativedidacticmethodsandtherelationshipbetweenindependentlyexpressivesurfacesandtextsPenthesileaisfarfromsimplegoingwhenoneconfrontstheopeningsequencetooremotefromboththemimeitselfandone’ssubsequentperceptionofthefilm’sgeneraldesignitsimplydemandsmoreorlessthanonecancomfortablybringtoitOncepastthisobstacle—aninterestingandlegitimatesequencethatacquiresinterestonlyafterthefact—oneisswiftlyrewardedbythewordsandcameramovementsofsequence2whichbeautifullyjugglesoundandimagetheoryandpracticeWollen’strajectoryandthecamera’sinsomethingresemblingatwopartinventionWittiestofallarethecuecardsstrewninWollen’spathwhichthecamera‘picksup’afterhimlikeadutifulservantsometimesthewordsonthecardduplicateanearlierpartofthelecturesometimesthereflectionoflightonthecardsmakesthewordsparadoxicallyillegibleandatonestrangejuncture—properlyspeakingtheonly‘fictional’momentintheentirefilm—thewordsappearjustastheyarebeingspokeninanotherroomSequence3registersasasystematicexplorationintohowonecanarriveatanorderofthingsthesuccessionofWonderWomanframesprovidinganinventoryofwaysoneimagecanfollowanotherwhiletheBeriopieceoffsetsthiswithwhatisdescribedintheAutumn1974ScreenaninterviewwithMulveyandWollenthatusefullysupplementsthefilmas“the‘birth’ofanewformoflanguage”4juxtaposestwo‘texts’intheformofsuperimposedimageswithahistoricalartifactsetagainstacontemporaryrecitationofahistoricaldocumentand5exploitssomeoftheWavelengthlikeparadoxesofrelativeillusionistsurfacesaswhenthecameramovesintoaTVscreenshowingsequence2wherethecameraisalsomovingwhiledrawingallofthepreviousjuxtapositionsandnewmaterialintofreshmixturesandrelationshipsEachsequenceitmustbenotedconsistsoftworeels‘invisibly’joinedinthemannerofRopeandthejustificationsforthisnoneditingarestatedsuccinctlyinWollen’slecturewhichalsoalludesto“Thespacebetweenastorythatisnevertoldandahistorythathasneveryetbeenmade”—thatarrayoflecturematerialaroundanunarticulatedstorythatthefilmoccupieswithspeculativepastmythandspeculativeutopianmythdevelopingconcurrentlyfromtheemptyspacesCuriouslybutperhapsinevitablythefilm’sconceptualframeworksomewhatoverridesthefeministthemeitpursuesandthequestionofhowoneperceivesPenthesileabecomessomewhatmoreofasubjectthanthefigureherselfOnerecallsthestructureofGodard’sOnePlusOnewithitssimilarnotionofgrapplingwithdiversephenomenabyplacingthemsidebysidealbeitinaneditedcontextwiththeAnneWiazemskyquestionandanswersequenceperforminganexpositionalfunctionsomewhatanalogoustoWollen’slectureButOnePlusOnearguablyrepresentedtheendofsomethingwhilePenthesileasuggestsabeginning—astepforwardintheEuropeanavantgardethatcrossfertilizesmoreactivecurrentsfromtheAmericanstructuralfilmtoTelQuelthanthisreviewcouldhopetoenumerateAnobjectforreflectionandinquirymorethana‘finished’statementitisatheoreticaldoityourselfkit–orstateddifferentlyanexploratorytool–ofthefirstimportanceJONATHANROSENBAUM
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人文社科纪录片《彭特西勒亚》(1974)Penthesilea-纪录片下载1080P/720P/360P高清标清网盘BT迅雷下载
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发表于 2021-8-19 18:10:10