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[BBC系列]：革命与浪漫Revolution and Romance-1080P高清迅雷网盘下载
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Suzy Klein主持的艺术纪录片，由BBC在2016年发行-英语旁白Arts Documentary hosted by Suzy Klein, published by BBC in 2016- English narration
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Suzy Klein探索19世纪音乐的转型。在政治和工业革命的时代，她讲述了音乐如何成为主要的艺术形式。[编辑]??《我们可以成为英雄》 Suzy Klein讲述了一个自始至终无与伦比的创造力故事-19世纪见证了贝多芬，舒伯特，柏辽兹，肖邦，瓦格纳，威尔第和李斯特等作曲家的出现，仅举几例随着法国大革命后贵族力量的削弱，工业革命创造了新的财富以及中产阶级的繁荣，Suzy向人们展示了作曲家和表演者如何成为他们这个时代的超级巨星的可能性帕加尼尼（Paganini）和李斯特（Liszt）之类的大师受到了偶像的崇拜，获得了巨额酬金，其追随者像今天的任何摇滚明星和歌手一样受到崇拜。作曲家撕毁了规则手册，怀着浪漫主义的精神，在大胆而富有实验性的作品中倾注了他们的灵魂。并且，他们摆脱了贵族赞助的束缚，也成为了企业家，组织了音乐会并从中获利，并赢得了空前的财富，名望和地位。但是，随着商业上的成功，出现了非常现代的反击-艺术信誉与X Factor风格的成名。哪个会赢？或者一个可以与另一个共存？随着音乐作为19世纪的艺术形式获得越来越大的力量和影响力，作曲家开始相信他们可以改变世界……而且，值得注意的是，他们确实做到了。但是随着商业上的成功，出现了非常现代的反击-艺术信誉与X因子风格的声望。哪个会赢？或者一个可以与另一个共存？随着音乐作为19世纪的艺术形式获得越来越大的力量和影响力，作曲家开始相信他们可以改变世界……而且，值得注意的是，他们确实做到了。但是随着商业上的成功，出现了非常现代的反击-艺术信誉与X因子风格的声望。哪个会赢？或者一个可以与另一个共存？随着音乐作为19世纪的艺术形式获得越来越大的力量和影响力，作曲家开始相信他们可以改变世界……而且，值得注意的是，他们确实做到了。??Talkin'“掀起一场革命”在19世纪，音乐不仅是生活的背景，还减轻了痛苦并增强了快乐。它成为了可以并且确实改变了世界的革命力量。随着法国大革命在欧洲引发的暴力和动荡的影响在欧洲回荡，最明显的是音乐传达出人民可以抵抗国王和国王的信号。皇帝。革命期间在法国，马赛夫人乐队（La Marseillaise）成为集会呐喊，在暴民冲进皇宫时被暴民们演唱。当拿破仑对国家施加控制时，它成为颠覆性的国歌，无数的歌曲嘲笑了专制主义的回归和对自由的摧残，但正如苏西所表明的那样，革命的热情不仅仅出现在街头。甚至歌剧?当局旨在加强现状的意图在政治上具有影响力，煽动了整个欧洲的民族主义和革命的火焰。1830年在比利时演出时，一部法国歌剧实际上帮助引发了一场革命。苏兹（Suzy）展示了音乐如何不仅表达了革命性的狂热，而且表达了席卷欧洲的民族主义力量。她发现肖邦的音乐在抒情的表面之下，如何用语言来表达，而不是用语言表达波兰人在外国势力压迫下的反抗精神。她探索了卡尔·韦伯（Carl Weber）的可爱作品《德·弗赖舒茨（DerFreischütz）》如何表达对德国人的民族化的渴望，并激发了理查德·瓦格纳（Richard Wagner）通过他的作品来尝试改变人类精神。但正是意大利歌剧作曲家朱塞佩·威尔第（Giuseppe Verdi）的音乐在19世纪产生了最深刻的政治影响。Suzy前往威尔第的家乡帕尔马，认识了保持健康的门徒。Suzy Klein explores the transformation of music in the 19th century. In an age of political and industrial revolution, she tells how music became the leading art form.[edit] We Can Be Heroes Suzy Klein tells the story of a creative outpouring unrivalled before or since - the 19th century witnessed the emergence of composers such as Beethoven, Schubert, Berlioz, Chopin, Wagner, Verdi and Liszt, just to name a few of the stellar array whose genius we venerate to this day.As the aristocracy weakened following the French Revolution, the industrial revolution created new wealth and the middle classes flourished, Suzy shows how it was possible for composers and performers to become the superstars of their age, no longer the servants of kings and princes.Masters like Paganini and Liszt were idolised, commanded immense fees and had a following as adoring as any of the rock stars and singers of today. Composers tore up the rulebooks, embraced the spirit of Romanticism and poured out their souls in their bold and experimental work. And, freed from the chains of aristocratic patronage, they became entrepreneurs too, organising and profiting from their concerts, and winning unprecedented wealth, fame and status.But with commercial success came a very modern backlash - artistic credibility v X Factor-style fame. Which would win out? Or could one coexist with the other? As music gained increasing power and influence as the art form of the 19th century, composers started to believe that they could change the world... and remarkably, they really did.[edit] Talkin' 'Bout a Revolution In the 19th century music wasn't just a backdrop to life, easing pain and enhancing pleasure. It became a revolutionary force that could - and did - change the world.As the impact of the violence and turmoil unleashed in the French Revolution reverberated around Europe, it was music that most viscerally carried the message that the people could stand up to kings and emperors. In France during the revolution, La Marseillaise emerged as a rallying cry - sung by the mob as they stormed the royal palace. When Napoleon imposed his grip on the nation it became an anthem of subversion, along with countless songs that pilloried the return to autocracy and the crushing of freedom.But it was not just on the streets, as Suzy shows, that revolutionary fervour was stoked up. Even opera, intended by the authorities to reinforce the status quo, became politically potent, fanning the flames of nationalism and revolution throughout Europe. One French opera actually helped trigger a revolution when it was performed in Belgium in 1830.Suzy shows how music came to express not only revolutionary fervour, but also the growing force of nationalism that was sweeping Europe. She discovers how Chopin's music, beneath its lyrical surface, expressed more powerfully than words the defiant spirit of the Polish people suffering under the oppression of a foreign power. And she explores how Carl Weber's lovely work Der Freischütz articulated the longings for nationhood of the Germans and inspired Richard Wagner to attempt the transformation of the human spirit through his work.But it was Italian opera composer Giuseppe Verdi whose music had the most profound political impact in the 19th century. Suzy travels to Parma, Verdi's home town, to meet the disciples who keep his flame alive to this day, venerating the man whose music embodied the fight for freedom and whose very name came to symbolize Italy's fight for nationhood.[edit] Party Like it's 1899 Music was both transformed and transformative in the 19th century. It burst out of court, church and tavern into the world and became a universal soundscape, transcending language and borders. This revolution was made possible by economic and social change and, as Suzy Klein explains in the final programme, by a technological revolution.The 19th century witnessed advances in communication that made the world a smaller place. People could travel by train and steamship with ease across the globe. At the close of the century hundreds of thousands came to the great Paris Exposition of 1889 - the centenary of the French Revolution - to witness the latest inventions and marvel at the strange cultures that came to make music in the temporary halls and theatres that crowded on the Champ de Mars.They heard the music of the orient; they listened to recording devices; they saw the future. Composers such as Claude Debussy were profoundly influenced by the sounds of the east, in particular the Balinese gamelan. With its non-European harmony and rhythm, such music offered western composers exciting new musical horizons and a way to innovate and escape from the high romanticism of Richard Wagner.But it was not only the music of the east that inspired the new composers. Developments in manufacturing were changing instruments and creating new ones - exemplified by the saxophone. Suzy witnesses a 'battle of the bands' in which the new and versatile instrument demonstrates its capabilities and - for the luddites - its threatening versatility. And in the spirit of the new age she makes her first recording on a vintage phonograph, one of the earliest recording machines. To our ears they may lack quality, but they were mind-blowing to those who first heard them - and they presaged a new future of recorded music that is still with us today.
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【技术参数】——
视频编码: x264 CABAC High@L4.1
比特率: CRF 21 (~4007Kbps)
Video 分辨率: 1920x1080
Video 画面比例: 16:9
Frames Rate: 25 帧速率
音频编码: AAC-LC
音频比特率: Q=0.47 VBR 48KHz (~128Kbps)
Audio 声道数: 2
时长: 59 mins
分集数: 3
体积: 1.71 GB (average)
来源: HDTV
编码: JungleBoy【Technical Specs】——
Video Codec: x264 CABAC High@L4.1
Video Bitrate: CRF 21 (~4007Kbps)
Video Resolution: 1920x1080
Video Aspect Ratio: 16:9
Frames Rate: 25 FPS
Audio Codec: AAC-LC
Audio Bitrate: Q=0.47 VBR 48KHz (~128Kbps)
Audio Channels: 2
Run-Time: 59 mins
Number Of Parts: 3
Part Size: 1.71 GB (average)
Source: HDTV
Encoded by: JungleBoy
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相关纪录片：
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Links
Further Information
BBC
Release Post
MVGroup.org (torrent)
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发表于 2020-7-13 23:17:39
发表于 2020-7-17 19:37:25