------------------------------------------------------
[BBC系列]：浪漫的石头Romancing the Stone-1080P高清迅雷网盘下载
------------------------------------------------------
由Alastair Sooke主持的艺术纪录片，由BBC在2011年发行-英语旁白Arts Documentary hosted by Alastair Sooke, published by BBC in 2011- English narration
------------------------------------------------------
揭示雕塑如何传达我们最珍惜的信念和价值观-从三个维度捕捉到的英国灵魂。[编辑]??神的泥瓦匠Alastair Sooke揭示了我们中世纪雕塑的惊人范围，从我们哥特式大教堂的雄伟杰作到教堂小摊下的俏皮苦工，他展示了该时代的雕塑如何为中世纪的英国带来了新的曙光，娱乐性和特立独行的地方比我们在现代世界中普遍相信的地方。但是，尽管这些作品具有技术和情感上的力量，但甚至没有“雕刻家”的概念。大部分时间都是由为教堂工作的巡回泥瓦匠和工匠团队完成的。有些人的名字，例如威廉·伯克利（William Berkeley）众所周知，但大多数人已被历史遗忘了。第一个黄金时代在亨利八世（Henry VIII）的《宗教改革》（Reformation of the Church）结束时宣告结束，掀起了一波破坏浪潮，这需要几个世纪的时间才能恢复。 ]??帝国的小牛到18世纪中叶，英国拥有一个庞大的帝国。它需要一种新的视角来看待自己，所以我们转向古希腊和罗马的雕像来投射大英帝国的世俗力量和荣耀。信息很明确：英国是新罗马，我们的将军和政治家相提并论与古代世界的英雄们。大量公共和私人资金投入到雕塑项目中，掀开了一个新的黄金时代，但它也是一个非同寻常的时代。18和19世纪最伟大的雕塑家是那些反抗流行趋势的特立独行者-约翰·弗拉克斯曼（John Flaxman），弗朗西斯·尚特雷（Francis Chantrey）和阿尔弗雷德·吉尔伯特（Alfred Gilbert）等天才。阿拉斯泰尔·苏克（Alastair Sooke）讲述了这些特立独行者的故事，并揭示了其关键作品背后非凡的技术突破：??革命之子阿拉斯泰尔·苏克（Alastair Sooke）说，“在过去的一百年中，雕塑的变化比在过去的三万年中有所变化。”?该系列的第三集也是最后一集讲述了一个世纪的创新，丑闻，震惊和创造力的戏剧性故事，始于20世纪初，年轻的雕塑家停止在大英博物馆参观Elgin Marbles，取而代之的是非洲和太平洋岛屿的“原始”作品。结果是由埃里克·吉尔（Eric Gill）和雅各布·爱泼斯坦（Jacob Epstein）率先进行的艺术革命，将吉尔伯特（Gilbert＆A.?乔治（George）和达米安·赫斯特（Damien Hirst）。尽管存在所有挑衅和偶发的观念主义过剩现象，雕塑从未像现在这样受欢迎。Reveals how sculpture communicates our most cherished beliefs and values - the British soul captured in three dimensions.[edit] Masons of God Alastair Sooke reveals the astonishing range of our medieval sculpture, from the imposing masterpieces of our Gothic cathedrals to the playful misericords underneath church stalls.He shows how the sculpture of the era casts a new light on medieval Britain, a far more sophisticated, fun-loving and maverick place than we in the modern world commonly believe. But despite the technical and emotional power of these works, the notion of a 'sculptor' did not even exist; most carving of the time was done by teams of itinerant masons and artisans working for the Church. The names of some, like William Berkeley, are known but most are lost to history.This first golden age came to an end with Henry VIII's Reformation of the Church, unleashing a wave of destruction from which it would take centuries to recover.[edit] Mavericks of Empire By the middle of the 18th century, Britain was in possession of a vast empire. It required a new way of seeing ourselves and so we turned to the statues of ancient Greece and Rome to project the secular power and glory of the British Empire.The message was clear: Britain was the new Rome, our generals and politicians on a par with the heroes of the ancient world. The flood of funds, both public and private, into sculptural projects unleashed a new golden age, yet it was also a remarkably unorthodox one. The greatest sculptors of the 18th and 19th centuries were those mavericks who bucked prevailing trends - geniuses like John Flaxman, Francis Chantrey and Alfred Gilbert.Alastair Sooke tells the story of these mavericks and reveals the extraordinary technical breakthroughs behind their key works: carving in marble with a pointer machine and the primal power of the lost-wax technique.[edit] Children of the Revolution 'Sculpture has changed more in the last hundred years,' says Alastair Sooke, 'than in the previous thirty thousand.' The third and last episode of the series tells the dramatic story of a century of innovation, scandal, shock and creativity.It begins with the moment at the turn of the 20th century when young sculptors ceased visiting the Elgin Marbles at the British Museum and looked instead at the 'primitive' works of Africa and the Pacific islands. The result was an artistic revolution spearheaded by Eric Gill and Jacob Epstein that would climax in the anti-sculptural gestures of Gilbert & George and Damien Hirst.Yet for all the provocation and occasional excesses of conceptualism, sculpture has never enjoyed such popularity. From the memorials of World War One to the landmarks of Antony Gormley and Rachel Whiteread, sculpture remains the art form that speaks most directly and powerfully to the nation.The programme climaxes with a series of encounters between Alastair and leading sculptors Damien Hirst, Rachel Whiteread, Antony Gormley and Anthony Caro.
------------------------------------------------------
【技术参数】——
视频编码: x265 CABAC Main@L4
比特率: CRF 21.5 (~2577Kbps)
Video 分辨率: 1920x1080
Video 画面比例: 16:9
帧速率: 25 帧速率
音频编码: AAC-LC
音频比特率: Q=0.45 VBR 48KHz (~128Kbps)
Audio 声道数: 2
时长: 59 mins
分集数: 3
体积: 1.11 GB (average)
来源: HDTV
编码: JungleBoy【Technical Specs】——
Video Codec: x265 CABAC Main@L4
Video Bitrate: CRF 21.5 (~2577Kbps)
Video Resolution: 1920x1080
Video Aspect Ratio: 16:9
Frame Rate: 25 FPS
Audio Codec: AAC-LC
Audio Bitrate: Q=0.45 VBR 48KHz (~128Kbps)
Audio Channels: 2
Run-Time: 59 mins
Number Of Parts: 3
Part Size: 1.11 GB (average)
Source: HDTV
Encoded by: JungleBoy
------------------------------------------------------
相关纪录片：
----------------------------------
Links
Further Information
BBC
Release Post
MVGroup.org (torrent)
Related Documentaries
How to Get a Head in Sculpture
Masterpieces of Sculpture
The Art of Henry Moore
Antony Gormley: Being Human
The Art of Eric Gill
Anthony Caro
The Art of Barbara Hepworth
Rachel Whiteread: Ghosts in the Room
Anish Kapoor
William Turnbull
------------------------------------------------------
本片字幕下载-（纪录片部落：www.xitongle.com）
-----------------------------------
本片字幕下载-（纪录片部落：www.xitongle.com）
-----------------------------------
本片字幕下载-（纪录片部落：www.xitongle.com）
-----------------------------------
------------------------------------------------------
纪录片部落下载地址：
| 
发表于 2020-7-13 23:17:39
发表于 2020-8-15 12:19:20