纪录片部落--纪录片《[BBC纪录片]电影的秘密SecretsofCinema-1080P高清迅雷网盘下载》高清百度云1080p下载

小白兔 · 发表于 2020-7-13 23:23:50

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[BBC系列]：电影的秘密Secrets of Cinema-1080P高清迅雷网盘下载

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由马克·克莫德（Mark Kermode）主持的艺术纪录片，由英国广播公司（BBC）于2018年出版-英语旁白Arts Documentary hosted by Mark Kermode, published by BBC in 2018- English narration

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电影评论家马克·科莫德（Mark Kermode）通过研究一些经典流派背后的技巧和惯例，展现了电影艺术的新鲜感和个性化：romcoms，抢劫电影，成年故事，科幻小说和恐怖片。在每一集中，马克都会揭示制作一部出色流派电影并让观众回头看更多影片所需的成分。您如何在恐怖电影中上演，拍摄和编辑令人抓狂的汽车追逐或编排震撼时刻？疯狂的屏幕化学反应是什么秘诀？[编辑]??Romcom标志以所有类型中最受欢迎的类型开头。它们有时会受到评论家的嘲笑，但从1930年代至今，我们最受欢迎的许多电影都是浪漫喜剧。例如，通过安妮·霍尔（Annie Hall）的《抚养婴儿》和《夏娃》，《哈利·梅特·莎莉》和《漂亮女人》到马克（Mark）研究了制作经典romcom涉及的电影技巧和技术。马克（Mark）庆祝古老的收藏，发现隐藏的宝藏并涌出大量的泉水，其中包括《大病人》和《 La La Land》等热门歌曲。惊喜?他通过世界电影中的其他宝石检查从好莱坞到宝莱坞的电影，使我们想起了爱情喜剧的艺术，就像爱情本身一样，是国际性的。??抢劫这一次是抢劫电影的转折，其悬念与动作的独特结合。马克说，无论是大银行工作还是赚大钱，为什么守法的听众会发现自己扎根于劫匪甚至杀手？抢劫电影比其他任何类型的电影都更能表达我们的同情心，鼓励我们找出与现实生活相距甚远的角色，从《沥青丛林》到《海洋》的《十一人》（The Italian Job），甚至是《错误的裤子》，马克展示了反复出现的角色类型（例如策划者）以及序列（如计划场景和度假胜地）如何使我们大获成功。他还展示了诸如Inception，《华尔街之狼》和《婴儿司机》等近期热门歌曲如何将抢劫案的惯例推向了激动人心的新方向。在票房??年龄的到来这次，马克探索了一种捕捉成长过程中的欢乐与痛苦的流派-成年电影。它是所有类型中最普遍的一种，根据我们的经验我们都可以涉及到，但它也可以是最自传和最个人化的。世界各地的电影制片人都反复回到核心主题，例如初恋，摆脱不懂的小城镇生活和成年人。无论何时何地设置这些故事，这些故事都可以通过非专业演员的表演，捕捉儿童视角的摄影作品和怀旧流行的配乐等技术生动地呈现出来。，波兹（Boyz n the Hood）和《这就是英国》（Mark This），马克（Mark）展示了重复性的顺序，例如改头换面和团体唱歌，??科幻小说这次，马克探索了所有类型中最有远见的科幻小说，并向人们展示了电影制片人如何应对使令人难以置信的可信度成为现实的挑战。始终站在电影技术的最前沿Film critic Mark Kermode presents a fresh and very personal look at the art of cinema by examining the techniques and conventions behind some classic genres: romcoms, heist movies, coming-of-age stories, science fiction and horror. In each episode, Mark uncovers the ingredients needed to make a great genre film and keep audiences coming back for more. How do you stage, shoot and edit a gripping car chase or orchestrate the shock moment in a horror movie? What is the secret to sizzling on-screen chemistry?[edit] The Romcom Mark begins with one of the most popular genres of all. They are sometimes sneered at by critics, but from the 1930s to the present day, many of our most beloved movies have been romantic comedies.From Bringing Up Baby and The Lady Eve by way of Annie Hall, When Harry Met Sally and Pretty Woman to Love, Actually (a particular Kermode favourite) - as well as recent hits such as The Big Sick and La La Land - Mark examines the cinematic tricks and techniques involved in creating a classic romcom.Mark celebrates old favourites, reveals hidden treasures and springs plenty of surprises. Examining films from Hollywood to Bollywood via other gems of world cinema, he reminds us how, much like love itself, the art of the romantic comedy is international.[edit] The Heist This time it is the turn of the heist movie, with its unique combination of suspense and action. Whether it is the big bank job or netting a fortune in diamonds, why, asks Mark, do otherwise law-abiding audiences find themselves rooting for robbers and even killers? More than any other genre, the heist movie plays with our sympathies, encouraging us to identify with characters we would run a mile from in real life.From The Asphalt Jungle to Ocean's Eleven by way of The Italian Job and even The Wrong Trousers, Mark shows how recurring character types, such as the mastermind, and sequences like the planning scene and the getaway, draw us into the big score. And he demonstrates how recent hits like Inception, The Wolf of Wall Street and Baby Driver have pushed the conventions of the heist in thrilling new directions. At the box office, at least, crime really does pay.[edit] Coming of Age This time Mark explores the genre that captures the joy and pain of growing up - the coming-of-age movie. It is the most universal of all genres, the one we can all relate to from our own experience, yet it can also be the most autobiographical and personal. Film-makers across the world repeatedly return to core themes such as first love, breaking away from small-town life and grown-ups who don't understand. And wherever and whenever they are set, these stories are vividly brought to life using techniques such as casting non-professional actors, camerawork that captures a child's-eye view and nostalgic pop soundtracks.From Rebel without a Cause to Lady Bird by way of Kes, Boyz n the Hood and This Is England, Mark shows how recurring sequences like the makeover and the group singalong, and characters like the gang and mentor figure, have helped create some of the most moving and resonant films in cinema.[edit] Science Fiction This time Mark explores the most visionary of all genres - science fiction, and shows how film-makers have risen to the challenge of making the unbelievable believable. Always at the forefront of cinema technology, science fiction films have used cutting-edge visual effects to transport us to other worlds or into the far future. But as Mark shows, it's not just about the effects. Films as diverse as 2001, the Back to the Future trilogy and Blade Runner have used product placement and commercial brand references to make their future worlds seem more credible. The recent hit Arrival proved that the art of film editing can play with our sense of past and future as well as any time machine. Meanwhile, films such as Silent Running and WALL-E have drawn on silent era acting techniques to help robot characters convey emotion. And District 9 reached back to Orson Welles by using news reporting techniques to render an alien visitation credible.Mark argues that for all their spectacle, science fiction films ultimately derive their power from being about us. They take us to other worlds and eras, and introduce us to alien and artificial beings, in order to help us better understand our own humanity.[edit] Horror Mark turns to horror and shows how film-makers have devilishly deployed a range of cinematic tricks to exploit our deepest, darkest and most elemental fears. He explores the recurring elements of horror, including the journey, the jump scare, the scary place, the monster and the chase. He reveals how they have been refined and reinvented in films as diverse as the silent classic The Phantom of the Opera, low-budget cult shockers The Texas Chain Saw Massacre and The Evil Dead, and Oscar-winners The Silence of the Lambs and Get Out. Mark analyses the importance of archetypal figures such as the clown, the savant and the 'final girl'. And of course, he celebrates his beloved Exorcist films by examining two unforgettable but very different shock moments in The Exorcist and The Exorcist III.Ultimately, Mark argues, horror is the most cinematic of genres, because no other kind of film deploys images and sound to such powerful and primal effect.

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【技术参数】——



视频编码: x264 CABAC High@L4.1

比特率: CRF 21 (~3328Kbps)

Video 分辨率: 1920x1080

Video 画面比例: 16:9

帧速率: 25 帧速率

音频编码: AAC-LC

音频比特率: Q=0.46 VBR 48KHz (~125Kbps)

Audio 声道数: 2

时长: 59 mins

分集数: 5

体积: 1.43 GB (average)

来源: HDTV

编码: JungleBoy【Technical Specs】——



Video Codec: x264 CABAC High@L4.1

Video Bitrate: CRF 21 (~3328Kbps)

Video Resolution: 1920x1080

Video Aspect Ratio: 16:9

Frame Rate: 25 FPS

Audio Codec: AAC-LC

Audio Bitrate: Q=0.46 VBR 48KHz (~125Kbps)

Audio Channels: 2

Run-Time: 59 mins

Number of Parts: 5

Part Size: 1.43 GB (average)

Source: HDTV

Encoded by: JungleBoy

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相关纪录片：

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Links

Further Information

BBC



Release Post

MVGroup.org (torrent)



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