纪录片部落--纪录片《[BBC纪录片]英国的七个时代SevenAgesofBritain-1080P高清迅雷网盘下载》高清百度云1080p下载

小白兔 · 发表于 2020-7-13 23:23:50

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[BBC系列]：英国的七个时代Seven Ages of Britain-1080P高清迅雷网盘下载

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由David Dimbleby主持并由BBC在2010年出版的文化历史纪录片-英语旁白Culture, History Documentary hosted by David Dimbleby and published by BBC in 2010- English narration

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英国的七个世纪戴维·迪姆比比（David Dimbleby）绘制了英国七个世纪2000年以来英国最伟大的艺术和手工艺品的里程碑式历史。《英国七个世纪》与开放大学合作制作，通过艺术来回顾我们非凡的过去-两者作为经常在事件中起决定性作用的珍宝，以及它们时代的奇迹。从彩绘的图像和石头和金的纪念碑到宗教文物，战争武器，科学工具和艺术品；它们通常是精美绝伦的手工艺品，但有时它们却是简单的日常事物，具有很强的诉说力。在七个一小时的节目中，David漫游到世界各地-包括意大利，德国，土耳其，印度和美国-追踪包裹事件或起源于英国的惊人人工制品，但最终离开了我们的海岸。BBC One的负责人杰伊·亨特（Jay Hunt）说：“英国的七个世纪是BBC One的一个雄心勃勃的艺术系列。戴维（David）通过新闻工作和眨眼的眼光使主题变得生动起来。” [编辑]??征服???David Dimbleby通过其艺术和财富讲述了英国的故事。编年史的第一部分以罗马人的入侵开始，以诺曼征服结束。戴维（David）穿越英国寻找当时最伟大的艺术品：比格诺罗马别墅（Bignor Roman Villa）的马赛克，萨顿胡（Sutton Hoo）的墓葬宝藏，盎格鲁撒克逊诗歌和阿尔弗雷德大帝的珠宝。他还出差到整个欧洲，寻找不是英国制造的物品，还是能告诉我们过去的东西。在土耳其的壮阳药中，他发现了不列颠最古老的形象。在佛罗伦萨，由诺森伯兰僧侣在8世纪创作的一本精美的照明圣经；在贝叶挂毯在诺曼底，现在被认为是英国修女制作的。他在伦敦塔结束??崇拜???中世纪英国艺术的故事，从1170年托马斯·贝克特（Thomas Becket）被谋杀到1400年理查德二世（Richard II）逝世，都是一个朝拜的时代，无论朝拜上帝，崇拜国王还是爱自己的夫人。戴维·迪姆布雷比（David Dimbleby）着眼于中世纪教堂的最优秀作品，例如坎特伯雷大教堂的彩色玻璃和色彩斑Bur的《圣经》，并且在离地面40英尺的地方绞盘观看了幸存的稀有教堂厄运-最后审判的画像-关闭。戴维·迪姆布雷比（David Dimbleby）着眼于中世纪教堂的最优秀作品，例如坎特伯雷大教堂的彩色玻璃和色彩斑Bur的《圣经》，并且在离地面40英尺的地方绞盘观看了幸存的稀有教堂厄运-最后审判的画像-关闭。爱德华一世统治期间，一种新的风尚，骑士风靡了整个国家，产生了神话般的作品，例如盖丁顿的埃莉诺十字架，爱德华三世在温莎的巨大礼仪剑以及黑王子的陵墓。中世纪的艺术高潮来自理查德二世的统治，理查德二世的光顾启发了三大杰作：著名的威斯敏斯特音乐厅的木质屋顶，乔uc的坎特伯雷故事集和威尔顿·迪普蒂奇（Wilton Diptych）祭坛画。戴维前往慕尼黑参观唯一幸存的英国中世纪王冠，该王冠属于理查德的妻子波西米亚的安妮。[编辑]?的坎特伯雷故事集和威尔顿·迪普蒂奇（Wilton Diptych）祭坛画。戴维前往慕尼黑参观唯一幸存的英国中世纪王冠，该王冠属于理查德的妻子波西米亚的安妮。[编辑]?的坎特伯雷故事集和威尔顿·迪普蒂奇（Wilton Diptych）祭坛画。戴维前往慕尼黑参观唯一幸存的英国中世纪王冠，该王冠属于理查德的妻子波西米亚的安妮。[编辑]??力量???本集着眼于都铎王朝并跨越Seven Ages of BritainDavid Dimbleby charts a landmark history of Britain’s greatest art and artefacts over 2000 years in Seven Ages of Britain.Produced in partnership with The Open University, Seven Ages of Britain looks at our extraordinary past through the Arts - both as treasures that have often played a decisive part in events and as marvels of their age. From painted images and monuments of stone and gold to religious relics, weapons of war, instruments of science and works of art; often they are artefacts of great beauty and craftsmanship, but sometimes they are simple, everyday things which have a powerful story to tell. Over the seven one hour programmes, David roams far and wide - including Italy, Germany, Turkey, India and America - tracking down astonishing artefacts that both encapsulate events or originate from the UK, and yet ended up leaving our shores. Jay Hunt Controller of BBC One said: "The Seven Ages of Britain is a hugely ambitious arts series for BBC One. David brings the subject matter alive with journalistic endeavour and a twinkle in his eye."[edit] Conquest David Dimbleby tells the story of Britain through its art and treasure. The first part of the chronicle begins with the Roman invasion and ends with the Norman Conquest. David travels throughout Britain in search of the greatest works of art from the time: the mosaics of Bignor Roman Villa, the burial treasure of Sutton Hoo, Anglo-Saxon poetry and Alfred the Great's Jewel. He also goes abroad, throughout Europe, to find objects either made in Britain, or which tell us something about our past. In Aphrodisias, Turkey, he finds the oldest image of Britannia; in Florence, a beautiful illuminated Bible made by Northumbrian monks in the 8th century; in Normandy, the Bayeux Tapestry, now believed to have been made by English nuns. He ends at the Tower of London, now seen as a symbol of Britishness but originally built by William the Conqueror to subdue the people of England.[edit] Worship The story of British art in the Middle Ages, spanning from the murder of Thomas Becket in 1170 to the death of Richard II in 1400. It was an age defined by worship - whether worship of God, the king, or one's lady love. David Dimbleby looks at the finest creations of the medieval Church, like the stained glass of Canterbury Cathedral and the colourful Bury Bible, and is winched 40 feet off the ground to see a rare surviving church Doom - a painting of the Last Judgement - close up. David Dimbleby looks at the finest creations of the medieval Church, like the stained glass of Canterbury Cathedral and the colourful Bury Bible, and is winched 40 feet off the ground to see a rare surviving church Doom - a painting of the Last Judgement - close up. During the reign of Edward I a new fad, chivalry, gripped the nation, resulting in fabulous creations like the Eleanor Cross of Geddington, Edward III's vast ceremonial sword at Windsor, and the tomb of the Black Prince. The artistic high point of the Middle Ages came with the reign of Richard II, whose patronage inspired three masterpieces: the famous timber roof of Westminster Hall, Chaucer's Canterbury Tales and the Wilton Diptych altarpiece. David travels to Munich to see the only surviving English medieval crown, which belonged to Richard's wife, Anne of Bohemia.[edit] Power This episode looks at the Tudors and spans from Henry VIII's accession in 1509 to the first performance of Shakespeare's Henry VIII exactly 100 years later. David Dimbleby shows how the Tudors used art as an instrument of power and propaganda. Featuring a look at Henry VIII and the lavish, gilded tomb in Westminster Abbey he commissioned for his father; the epic Field of Cloth of Gold painting in Hampton Court made to celebrate his diplomatic triumph over the French; and the extraordinary patron-artist relationship he cultivated with Hans Holbein. Henry favoured blunt statements of power, but his daughter Elizabeth was more subtle. Dimbleby's journey also takes in the Reformation, the wreck of the Mary Rose, John White's extraordinary watercolours of the New World, the mouthwatering Cheapside Hoard, the Spanish Armada, Henry VIII's armour and Drake's Drum.[edit] Revolution In the 17th century, when the people of Britain learned to question everything. The result was Civil War, in which everyone, including artists, had to take sides. But out of it came a re-invented monarchy, a scientific revolution and, ultimately, the great Cathedral of St Paul's. Highlights include the courtly portraits of Rubens, Van Dyck and Peter Lely, and the fabulous creations of the Royal Society. The programme includes: Charles I's execution shirt and painting of Charles with his head sewn back on (Museum of London); Rubens' Apotheosis of James I (Banqueting House); Van Dyck portraits (Tate Britain); Puritan tracts; Civil War re-enactment; Verney family tomb (Claydon House); Thomason Collection (British Library); portraits of Cromwell (National Portrait Gallery); Grinling Gibbons' golden statue of Charles I (Royal Hospital Chelsea); Peter Lely's Windsor Beauties (Hampton Court); Royal Observatory (Greenwich); Hooke's microscope and Micrographia (Science Museum); Wren's plan for London; St Paul's Cathedral.[edit] Money In the 18th century, the triumph of commerce led to the emergence of a new 'middle' class, a group of people who craved pleasure and novelty, and developed its own tastes in art. The result was a golden age in painting, with Hogarth, Reynolds and Gainsborough re-inventing the British style. The story ends in 1805 with the burial of Horatio Nelson, a commoner, at the heart of St Paul's: the supremacy of the middle class assured.[edit] Empire The story of the British Empire from 1750 to 1900, revealed through its art and treasures. David Dimbleby travels through Britain, America and India, tracing the descent from adventure and inspiration into moral bankruptcy as the Empire became a self-serving bureaucratic machine. In Britain, David looks at William Hodges' paintings of Captain Cook's famous voyages, Sir Hiram Maxim's original machine gun, the relics of General Gordon brought back from the Sudan, and some of the priceless trophies plundered in foreign campaigns: Tipu's mechanical Tiger and the Benin Bronzes. In Philadelphia, he explores William Penn's utopian Old Town, the Liberty Bell, and painter Benjamin West's pictorial white-washing of history in Penn's Treaty with the Indians. In India, David looks at the colonial architecture of Calcutta, and some fabulous frescoes in a Rajasthan village mocking British customs and personalities. The programme ends at the Victoria Memorial in front of Buckingham Palace, not so much a monument to the British Empire as its mausoleum.[edit] Ambition The 20th century saw ordinary Britons upturning ancient power structures and class hierarchies. The catalyst was the First World War, which embroiled the whole nation and called traditional values into question. The result was an ever-growing democratisation of culture, with art coming off gallery walls, becoming an instrument of self-expression at the service of the individual. David Dimbleby looks at some of the great masterworks of modern British art, but also champions lesser appreciated art forms like broadcasting and domestic design.

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【技术参数】——



视频编码: XviD ISO MPEG-4

比特率: 1591 KB/s

Video 画面比例: 1:760

Video 分辨率: 704 x 400

音频编码: (Dolby AC3)

音频比特率: 192 kb/s 48000Hz

时长: 58:16. mins

帧速率: 25帧速率

分集数: 7

体积: 746 MB

发布人： artistharry

Subtitles: English

来源: DVD【Technical Specs】——



Video Codec: XviD ISO MPEG-4

Video Bitrate: 1591 KB/s

Video Aspect Ratio: 1:760

Video Resolution: 704 x 400

Audio Codec: (Dolby AC3)

Audio Bitrate: 192 kb/s 48000Hz

Run-Time: 58:16. mins

Framerate: 25FPS

Number of Parts: 7

Part Size: 746 MB

Ripped by artistharry

Subtitles: English

Source: DVD

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