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[BBC系列]：生为狂野：美国摇滚乐的黄金时代Born to be Wild: The Golden Age of American Rock-1080P高清迅雷网盘下载
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肖恩·帕克斯（Shaun Parkes）主持的艺术纪录片，由英国广播公司（BBC）于2013年出版-英语旁白Arts Documentary hosted by Shaun Parkes, published by BBC in 2013- English narration
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《生而为野》（Born To Be Wild）是一个分为三部分的系列，讲述了60年代末至90年代初美国摇滚乐盛世的兴衰故事，当时歌手是神，吉他手是斧头，歌曲是国歌，一次为一个国家的体育场打造国家的配乐。它源于革命，最初吓坏了机构，但最终变成了一个价值数十亿美元的行业，并成为了中美洲的声音。这是一个经典歌曲和大段重复到氨纶裤子和大头发的故事。该系列影片是针对过去三十年的地震性政治和社会变革的背景而作的，美国摇滚既反映又忽视了这一变化。这个故事是由在那里居住的人们讲述的。[编辑]???风暴骑士???在花力时代，越南和LSD，诸如Doors，Jefferson Airplane和MC5之类的乐队不仅为这场革命而歌唱，而且是一场革命。这一集探讨了为和平与爱的一代制作音乐的艺术家。这个时代的高潮是五十万人降落在伍德斯托克小村庄的一块田地上。那时，摇滚音乐对于那些相信平等和自由理想的人们来说，是希望的灯塔。但是，音乐节不是鼓舞新一代艺术家通过政治歌曲引领革命，而是证明了摇滚音乐反动时代的分水岭。营销人员排成一列，准备签单并热衷于将这种音乐从抗议变成盈利。专访《爱丽丝梦游仙境》的爱丽丝·库珀，汤姆·佩蒂，约翰·丹斯莫尔和雷·曼萨莱克??放学???经过前十年的愤怒和抗议，70年代初期的摇滚音乐既柔和又甜美-克罗斯比，斯蒂尔斯，纳什和?青年和杜比兄弟。尽管美国深受政治灾难的困扰-越南战争，水门事件和汽油危机的终结-摇滚音乐很少对此发表评论，尽管爱丽丝·库珀（Alice Cooper）的尼克松讽刺剧选当选是罕见的例外。但是在这十年的中期，新的声音开始出现，例如布鲁斯·斯普林斯汀（Bruce Springsteen）的工人阶级荣耀之歌或汤姆·佩蒂（Tom Petty）紧绷的，1960年代风格的声音。体育场的巨大成功证明了美国摇滚的发展，并在1976年和1977年，这种音乐种类迅速增长，其中包括Fleetwood Mac，Boston，Eagles和Meat Loaf发行的一系列多白金专辑。与英国不同，美国朋克几乎没有转移摇滚之神，但迪斯科确实产生了影响。Rock变得更光滑，更糖精，在唱片公司的公司办公室里，这项运动带来了越来越大的利润。采访对象包括：汤姆·佩蒂，爱丽丝·库珀，特德·纽金特，汤姆·斯科茨（波士顿），托德·朗格伦，唐·费尔德（老鹰乐队），汤姆·约翰斯顿（Doobie兄弟），查克D（公众敌人），彼得·弗兰普顿，比尔·佩恩（Little Feat），帕梅拉·德·巴雷斯，FM DJ吉姆·拉德，电影导演佩内洛普·史菲利斯，经理彼得·门施，记者西尔维·西蒙斯和滚石杂志大卫·弗里克。[编辑]??欢迎来到丛林???80年代初，MTV迅速崛起，彻底改变了摇滚音乐的面貌。在洛杉矶，派对上出现了一个新的摇滚场面-Born To Be Wild is a three-part series telling the story of the rise and fall of the golden age of American rock from the late 60s to the early 90s.This was a time when singers were gods, guitarists were axe men and songs were anthems, forging the soundtrack to the nation one stadium at a time. Born out of revolution, it initially scared the hell out of the establishment but ended up becoming a multi-billion dollar industry and the sound of Middle America. It’s a tale of classic songs and big riffs through to spandex pants and huge hair. The series is set against a back-drop of three decades of seismic political and social change which American rock both reflected and ignored. The story is told by the people who were there, who lived it.[edit] Riders on the Storm During the era of flower power, Vietnam and LSD, bands such as the Doors, Jefferson Airplane and MC5 not only sang about the revolution, they were the revolution. This episode explores the artists that made the soundtrack to the peace and love generation. The culmination of this era was when half a million people descended on a field in the small hamlet of Woodstock. At that moment rock music seemed a beacon of hope for those who believed in the ideals of equality and freedom. But instead of inspiring a new generation of artists to lead the revolution through political songs the festival proved to be a watershed moment for rock music's reactionary era. The marketing men lined up ready to sign and keen to turn this music from protest into profit.Features interviews with Alice Cooper, Tom Petty, John Densmore and Ray Manzarek of The Doors, Creedence Clearwater Revival’s Doug Clifford, Martin Balin of Jefferson Airplane, MC5’s Wayne Kramer and Steppenwolf’s John Kay.[edit] School's Out After the rage and protest of the previous decade, rock music of the early 70s was gentle and sweet - the songs of Crosby, Stills, Nash & Young and the Doobie Brothers. Although the USA was riven by political disasters - the end of the Vietnam War, Watergate and the gasoline crisis - rock music seldom commented on them, although Alice Cooper's Nixon satire Elected was a rare exception. But in the middle of the decade new voices started to emerge, such as Bruce Springsteen's songs of working class glory or Tom Petty's tight, 1960s-inspired sound.The massive success of stadium shows exemplified how big American rock had become and, in 1976 and 1977, the genre soared with a string of multi-platinum albums by Fleetwood Mac, Boston, the Eagles and Meat Loaf. Unlike in the UK, American punk barely diverted the rock gods, but disco did make an impact. Rock became smoother and more saccharine and in the corporate offices of record labels the drive was for ever larger profits.Interviews include: Tom Petty, Alice Cooper, Ted Nugent, Tom Scholz (Boston), Todd Rundgren, Don Felder (the Eagles), Tom Johnston (the Doobie Brothers), Chuck D (Public Enemy), Peter Frampton, Bill Payne (Little Feat), Pamela des Barres, FM DJ Jim Ladd, film director Penelope Spheeris, manager Peter Mensch, journalists Sylvie Simmons and Rolling Stone magazine's David Fricke.[edit] Welcome to the Jungle The beginning of the 80's saw the meteoric rise of MTV which completely changed the landscape of rock music. From Los Angeles, a new rock scene emerged of party-anthem pop-metal, tailor-made for the visual medium of TV. Bands like Van Halen, Motley Crue and Poison sported heavy make-up, flashy clothes and huge hair while singing songs of sex, partying, drinking and drugs.The other side of American mainstream rock attempted to tackle the social and political issues of the time. John Mellencamp, Tom Petty and Bruce Springsteen all produced a stadium rock that appealed to the nation's blue-collar workers. Their music filled arenas, but was anybody really listening to the message?As the decade moved on, MTV exposure directly translated to commercial profit and soon the hugely popular pop-metal - dubbed Hair Metal by its critics - was saturating the market. Power ballads, big choruses and even bigger hair were the order of the day, with the highly marketable Bon Jovi leading the pack. Guns N' Roses saw themselves as the antithesis to what they considered fake rebellion, soft-rock drivel. But, as we discover, even they became neutralised by the commercialisation of the rock industry.The documentary ends in the early 90s with the emergence of Nirvana and grunge, which wiped away the narcissistic, sexist and pompous music form American rock had grown into. However, it was ultimately another genre of pop music that really replaced the golden age of rock, producing the big personalities the rock scene could no longer provide.
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【技术参数】——
视频编码: x264 CABAC High@L4.1
比特率: 3 520 Kbps
Video 分辨率: 1280x720
Video 画面比例: 16:9
帧速率: 25.000 帧速率
音频编码: AC3
音频比特率: 192 kb/s CBR 48000 Hz
音频串流: 2
音频语言: english
分集时长: 59 mn
分集数: 3
体积: 1.52 GiB
来源: HDTV
编码: Hannibal@TheBox【Technical Specs】——
Video Codec: x264 CABAC High@L4.1
Video Bitrate: 3 520 Kbps
Video Resolution: 1280x720
Video Aspect Ratio: 16:9
Frames Per Second: 25.000 fps
Audio Codec: AC3
Audio Bitrate: 192 kb/s CBR 48000 Hz
Audio Streams: 2
Audio Languages: english
RunTime Per Part: 59 mn
Number Of Parts: 3
Part Size: 1.52 GiB
Source: HDTV
Encoded by: Hannibal@TheBox
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相关纪录片：
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Links
Release Post
MVGroup.org (torrent)
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发表于 2020-7-13 23:24:21
发表于 2020-8-22 13:49:34