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[Others系列]：查理：查尔斯·卓别林的生平与艺术Charlie: The Life and Art of Charles Chaplin-1080P高清迅雷网盘下载
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传记纪录片，由悉尼·波拉克（Sydney Pollack）主持，其他人在2003年出版-英语旁白Biography Documentary hosted by Sydney Pollack and published by Others in 2003- English narration
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“查理：查尔斯·卓别林的生活与艺术”试图在131分钟内展示该男子的疣和错误以及电影和漫画天才。尽管有人怀疑不可能在不到六个小时的时间内完全做到这一点，但“查理”的出色表现令人着迷。这部电影又重提了童年时期的一些相关细节，以及在瑞士拍摄的家庭电影和1960年代和70年代，一个女儿在非洲度假（迷人但兴趣和价值微不足道）。它还指出了他一生中在戛纳电影节和奥斯卡颁奖典礼上获得的荣誉。但是它的主要发展方向是1914年（当时卓别林开始在马克·塞内特（Mack Sennett）喜剧片中担任代言人），在杂耍表演赛道抵达美国两年后，到1952年发行了《 Limelight》。Schickel的主要想法是卓别林与公众之间的爱恨交织（尽管大多是爱恋）。据朋友和“ Limelight”乐队的演员诺曼·劳埃德（Norman Lloyd）称，对人群的渴望和对人群的恐惧驱使了他的生命。卓别林通过扮演最穷的男人而变得富有，并在“大独裁者”的最后演讲中代表普通百姓以尴尬的热情说话，但在“ Limelight”中也谈到了暴民无头的不可预测性。儿子迈克尔说，除了断断续续的个人生活混乱外，卓别林还做出了值得称赞的战斗，在面对超级明星和大众拥戴的情况下保持他的艺术完整性和人性。“查理”花时间分析准流浪汉人物”?首次参加即兴创作且几乎毫无情节的“威尼斯儿童赛车”（1914年）；在他的Essenay和Mutual短裤中提供了创新的摄影作品，情节和堵嘴设计的示例；并注意到对象具有将一个对象转变为完全不同的东西（例如，将植物的叶子变成牙刷，或将消防车变成卡布奇诺咖啡机）的惊人能力。由于“查理”并不害羞，所以卓别林遇到了困难（严重），妇女，政府机构，最后是他的公众。它提到了儿童新娘，可怕的丽塔·格雷（Lita Gray）离婚，使《马戏团》（The Circus）的拍摄停止了9个月，并创造了一份地下畅销书，内容丰富，长达42页，详细描述了卓别林的不忠行为和不规则的性行为。琼·巴里（Joan Barry）的武装闯入和随后的亲子诉讼（当时在法律上不允许进行的验血证明是毫无根据的，但卓别林无论如何还是在法庭上败诉，并为一个显然不是他的孩子尽职尽责地支付了抚养费）纪录片最大的优点之一是，它给予了卓别林作品中鲜为人知和多刺的作品更多的关注：“巴黎的女人”和“韦杜先生”，与“淘金热”相比，这两个花了更多的时间。 ”或“城市之光”。Scorsese在这里特别慷慨和有用。他称赞“女人”的the废和色情，并说：“它的平静令人恐惧……你知道这一切都会恶化。”?他描述了“ Verdoux”最喜欢的一两个镜头?赞扬其对“雄辩而优雅且绝对可怕的行为”的描述，并且在他试图想象最初的观看者如何反应时几乎ca不休。“没有人喜欢它！这是一部美丽的电影，但它也是一部丑陋的电影。”?根据斯科塞斯所说，它的隐含挑战似乎是：“如何"Charlie: The Life and Art of Charles Chaplin" attempts to present the man's warts and errors, as well as the film and comic genius, in 131 minutes. Although one suspects it would be impossible to do this completely in anything less than six hours, "Charlie" does an excellent and absorbing job.The film doubles back to some pertinent details from childhood and tacks on clips from home movies shot in Switzerland and on vacation in Africa by a daughter in the 1960s and '70s (charming but of negligible interest and value). It also notes the honors bestowed at Cannes and the Academy Awards late in his life. But its primary arc goes from 1914, when Chaplin began acting in Mack Sennett comedies as a contract player two years after arriving in the U.S. on the vaudeville circuit, to 1952 with the release of "Limelight" and the family's permanent exile to Europe.The central conceit of Schickel's take is Chaplin's love-hate (though mostly love) relationship with the public. Hunger for the crowd, and fear of the crowd, drove his life, according to friend and "Limelight" costar Norman Lloyd. Chaplin grew rich playing the poorest of men, and spoke with embarrassing fervency on behalf of the common man in the final speech of "The Great Dictator," yet also talked of the headless unpredictability of the mob in "Limelight." Apart from the intermittent messes of his personal life, Chaplin did a creditable job of fighting to keep his artistic integrity and humanity in the face of superstardom and mass adulation, his son Michael argues."Charlie" spends time analyzing the quasi-tramp figure's first appearance in the entirely improvised and nearly plotless "Kid Auto Races at Venice" (1914); offers examples of innovative camerawork, plotting, and gag design in his Essenay and Mutual shorts; and notes the subject's startling ability to transform one object into something totally different (for example, a plant leaf into a toothbrush, or a fire engine into a cappuccino machine).As "Charlie" is not shy to indicate, Chaplin had difficulties (serious ones) with women, government agencies, and eventually his public. It mentions the child brides, the ghastly Lita Grey divorce that halted shooting on "The Circus" for 9 months and created an underground bestseller of the lurid 42-page complaint detailing Chaplin's infidelities and irregular sex practices. Joan Barry's armed break-in and subsequent paternity suit (which a blood test, legally inadmissible at that time, showed was groundless, but Chaplin lost in court anyway and dutifully paid child support for a kid that evidently wasn't his) also gets a mention.One of this documentary's greatest strengths is the extra attention it gives to the lesser known and more prickly works of Chaplin's oeuvre: "A Woman of Paris" and "Monsieur Verdoux," both of which it spends more time on than "The Gold Rush" or "City Lights." Scorsese is especially generous and useful here. He praises the decadence and eroticism of "Woman," and says "There's a calmness about it that's terrifying. . . . You know it's all gonna go bad." He describes a favorite shot or two of "Verdoux," praises its depiction of "eloquent and elegant and absolutely horrendous behavior," and almost cackles as he tries to imagine how its initial viewers reacted to it. "No one liked it! It's a beautiful, but it's also a very ugly film." According to Scorsese, its implicit challenge seems to be: "how far can I push you and you'll still love me?""Charlie" includes some vaunted unseen and/or unreleased material rehearsals and outtakes for famous scenes, an Oona O'Neill Chaplin screen test, color footage of the giant World War I cannon and closing rally sequences from "The Great Dictator" shot by a family member, newsreel clips of Chaplin on vacation in Hawaii and Asia with Paulette Goddard, the aforementioned home videos from his golden years, and a party video of Chaplin in a toga, juggling a globe in an anticipation of the "Dictator" globe dance, but none of them is particularly vital or memorable. The film's true strengths are its writing and analysis, its cast of guest commentators, and the classic clips that inevitably inspire awe.
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【技术参数】——
来源: 2003 DVD rip
Video: XVID, 512x384, 25.00帧速率, 1241Kbps
Audio: MP3, 48KHz, stereo, 128Kbps
Part 1: 682MB, 58 minutes
Part 2: 679MB, 69 minutes
Subtitles: English, Dutch, Spanish, French, Italian, Russian, Portuguese, Polish, Turkish, Greek...
发布人：: AEN【Technical Specs】——
Source: 2003 DVD rip
Video: XVID, 512x384, 25.00fps, 1241Kbps
Audio: MP3, 48KHz, stereo, 128Kbps
Part 1: 682MB, 58 minutes
Part 2: 679MB, 69 minutes
Subtitles: English, Dutch, Spanish, French, Italian, Russian, Portuguese, Polish, Turkish, Greek...
Ripped by: AEN
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Related Documentaries
Talking Pictures: Great British Comedies
Time Traveling with Brian Unger
Mark Steel Lectures: Series 1 to 3
The Circus
Masters of Photography - Edward Steichen
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发表于 2020-7-13 23:35:40
发表于 2020-8-5 18:39:22