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[Others系列]：黑暗的教训Lessons of Darkness-1080P高清迅雷网盘下载
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???其他人在1992年出版的战争纪录片-英语，德语多国语言叙事，在Finsternis中也称为LektionenWar Documentary published by Others in 1992- English,German Multilanguage narrationalso known as Lektionen in Finsternis
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沃纳·赫尔佐格（Werner Herzog）于1992年拍摄的纪录片《黑暗的教训》（Lessons of Darkness）是真正值得用形容词“令人惊讶”的几部电影之一，它利用海湾战争的余波展现了最好的例子之一。唯一导演的鲜明诗歌品牌。尽管拍摄时间是当代的，但恐怖的破坏和人类之间始终如一的距离使电影看起来更像是一部复杂的科幻小说，而不是对时事的考察。赫尔佐格拍摄的镜头主要集中在科威特油田的大火。它使用纯粹的规模将冲突置于视野中，同时展示了自然的强大力量，尤其是火，以及我们对自然之美的最初吸引力。灿烂的直升机镜头照亮了涂有油膜的广阔区域，显示出一个看上去毫无希望的衰落世界，人们在这里争相解决大灾变。由赫尔佐格的沉思组成的画外音使一切都变得轻松自在。赫尔佐格并不是一个完全不人道的导演，但他却没有以人的优越性为前提。对自然而言，更不用说一个人对另一个人的优越性了。他对战争本身几乎不感兴趣。他将实际冲突仅归因于电影的十三章之一。他展示的这场战争的镜头持续了不到一分钟，是一系列炸弹落在城市的镜头，而这种夜视摄像机的类似视频游戏的滤镜使这些镜头变得更加不真实。在这次袭击中，宏伟的音乐如雨后春笋般涌现，但是它?与后来听到的相同的炸弹，当时消防员试图遏制战争的后果。乍一看，赫尔佐格（Herzog）捕捉到的超然图像似乎在美化冲突的结果，或者只是在纯粹的景象下起作用，但是随着电影的前进，我们遇到了一些（通常是愚蠢的）实际人物在这场冲突中，这部电影以强有力的反战宣言出现，其中与被摄对象几乎无距离的距离变得近似于被解雇。这些图像和并置物产生敬畏的能力丝毫不因电影的现实基础而降低，也许是因为赫尔佐格一直在塑造现实世界以满足他的讲故事需求，即使在他的虚构电影中也是如此。他倾向于在世界上找到共鸣的隐喻。One of the few films that truly deserves to be labeled with the adjective “astonishing”, Werner Herzog’s 1992 documentary Lessons of Darkness uses the fallout of the Gulf War to present what is one of the finest examples of the singular director’s brandof stark-raving poetry. Though shot in contemporary times, the horrific destruction and consistently distanced humanity on display make the movie feel more like a work of sophisticated science-fiction than an examination of current events. The footage that Herzog has shot mainly focuses on the blazes in the oil fields of Kuwait. It uses sheer scale to put the conflict into perspective while demonstrating both the awesome power of nature, especially fire, and our primal attraction to its beauty. Glorious helicopter shots of oil coated expanses reveal a seemingly hopeless world of decay, where men scramble about trying to fix a cataclysm. The voiceover, comprised of Herzog’s musings, casts it all into sharp relief.Herzog isn’t exactly an inhumane director, but he’s one who doesn’t presuppose man’s superiority to nature, much less one man’s superiority over another man. He’s scarcely interested in the war itself. He relegates the actual conflict to just one of the film’s thirteen chapters. The footage of the war that he shows, which lasts less than a minute in duration, is a series of shots of bombs falling on cities, made all the more unreal by the videogame-like filter of the night vision camera. Grandiose music swells during this assault, but it’s the same bombast that is heard later, as the firefighters attempt to contain the war’s aftermath. At first it may seem that the transcendent images that Herzog has captured are glorifying the results of the conflict, or perhaps only working as sheer spectacle, but as the film moves on, and we encounter a few of the (usually dumbstruck) actual people involved in this conflict, the movie emerges as a powerful anti-war statement, in which an almost bemused distance from the subject becomes roughly analogous with dismissal of it. The ability of these images and juxtapositions to create awe is in no way reduced by the film’s basis in reality, perhaps because Herzog has always shaped the physical world to suit his storytelling needs, even in his fictional films. His tendency to find resonant metaphor in the world’s oddities is one of the prime elements of his genius, and by showing the scorched earth of Kuwaiti oil fields, he presents an almost literal, and unshakable, hell on earth.
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【技术参数】——
..- Video -..
分集时长 -> 00:54:12
编码 -> DivX 5.1.1 (Maupiti)
长宽 -> 672 x 384
比特率 -> 1600 kb/s
帧速率 -> 23.976
Qf -> 0.259
..- Audio -..
编码 -> 0x0055 MPEG-1 Layer 3
比特率 -> 91 kb/s tot , Joint Stereo LAME3.90.
采样率 - > 32000 Hz【Technical Specs】——
..- Video -..
Runtime -> 00:54:12
Codec -> DivX 5.1.1 (Maupiti)
X:Y -> 672 x 384
Bitrate -> 1600 kb/s
FPS -> 23.976
Qf -> 0.259
..- Audio -..
Codec -> 0x0055 MPEG-1 Layer 3
Bitrate -> 91 kb/s tot , Joint Stereo LAME3.90.
Fs - > 32000 Hz
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相关纪录片：
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Terrorstorm
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发表于 2020-7-13 23:35:40
发表于 2020-7-31 05:52:47