|
------------------------------------------------------
[PBS系列]:禁忌之沙漠The Desert of Forbidden Art-1080P高清迅雷网盘下载
------------------------------------------------------
由American Ferrera主持的艺术纪录片,由PBS发行,作为PBS Independent Lens系列的一部分在2011年播出-英语旁白Arts Documentary hosted by America Ferrera, published by PBS broadcasted as part of PBS Independent Lens series in 2011- English narration
------------------------------------------------------
价值数百万美元的被禁苏联艺术品的宝库如何最终藏在一个由共产党资助的博物馆里的乌兹别克斯坦沙漠中?由于一个人的热情和大胆,伊戈尔·萨维茨基(Igor Savitsky)热爱这项工作,以至于压抑性的莫斯科政府永远将其扑灭.1920年代,一小群画家离开了莫斯科,圣彼得堡和其他较冷的气候1,700英里,将布尔什维克革命带到了苏维埃中亚的异国南部地区。但是相反,他们遇到了一种独特的伊斯兰文化,就像大溪地(Tahiti)对高更(Gauguin)一样具有异国情调,并发展了一种令人吃惊的原始风格,将欧洲现代主义与数百年的东方传统相融合.1932年,斯大林主义者禁止了他们令人反感的表现主义美学,以进行宣传社会主义现实主义风格的绘画。许多艺术家在遭受酷刑,监禁和死亡的威胁下销毁了他们的作品或将其藏在阁楼和床下,他们的困境启发了年轻的伊戈尔·萨维茨基(Igor Savitsky),他是一位沮丧的贵族提取画家,他降落在卡拉卡尔帕克斯坦(乌兹别克斯坦西北自治共和国) )进行考古挖掘。他着迷于该地区的民间艺术。几十年的苏维埃贬低了这些鲜明的民族文物,以至于最初收集精美的手工服装,珠宝,地毯等,使Savitsky成为了“垃圾人”的烙印。最终,他的位置远离莫斯科的审查制度,这也使他得以追求真正成为他的激情的地方:发现和获得现代艺术,以致与官方品味不同步,这实际上受到了谴责。Savitsky假装购买国家认可的艺术品,大胆地救出了40,000件违禁作品。尽管他本人是一个身无分文的艺术家,但他还是用现金向禁止该艺术品的当局支付了艺术品的费用,并积累了世界上第二大的俄罗斯前卫艺术收藏品。拥有他营救的作品,但尽管苏联解体,乌兹别克斯坦获得独立,但藏品仍处于迫在眉睫的危险中。该地区的气候异常干燥,导致帆布加速崩解。激进伊斯兰教的地区兴起使萨维茨基的博物馆直接处于原教旨主义者的十字准线之下,他们可能会发现这种艺术“堕落”。就像斯大林所做的那样。《纽约时报》将其描述为“How did a treasure trove of banned Soviet art worth millions of dollars end up stashed in the far-off desert of Uzbekistan in a communist-funded museum? Thanks to the passion and daring of one man, Igor Savitsky, who loved the work too much to let the repressive Moscow government extinguish it forever.In the 1920s, a small group of painters left Moscow, St. Petersburg, and other colder climes traveling 1,700 miles to bring the Bolshevik Revolution to the exotic southern reaches of Soviet Central Asia. But instead they encountered a unique Islamic culture, as exotic to them as Tahiti was for Gauguin, and developed a startlingly original style, fusing European modernism with centuries old Eastern traditions.In 1932, their scandalously expressionist aesthetic was banned by Stalinists in favor of propaganda paintings in the Socialist Realist style. Many of the artists destroyed their works or stashed them in attics and beneath beds under the threat of torture, imprisonment, and death.Their plight inspired young Igor Savitsky, a frustrated painter of aristocratic extraction who'd landed in Karakalpakstan (Uzbekistan's autonomous northwestern republic) on an archaeological dig. He became fascinated by the region's folk art. Decades of Sovietization had devalued such distinctively ethnic artifacts to the point that collecting elaborate handmade garments, jewelry, carpets, and the like initially got Savitsky branded a "rubbish man." Eventually, his location far from Moscow censorship also allowed him to pursue what became his real passion: finding and acquiring modern art so out of sync with official taste that it was virtually condemned.Pretending to buy state-approved art, Savitsky instead daringly rescued 40,000 forbidden works. Though a penniless artist himself, he cajoled the cash to pay for the art from the same authorities that were banning it and amassed the second largest collection of Russian avant-garde art in the world.Today the museum Savitsky spent and risked his life for still holds the works he rescued, but although the Soviet Union collapsed and Uzbekistan gained its independence, the collection remains in imminent danger. The climate in the area is spectacularly dry, causing an accelerated disintegration of the canvases. And the regional rise of militant Islam puts Savitsky’s museum directly in the crosshairs of fundamentalists who might find the art as “degenerate” as Stalin did.Described by The New York Times as "one of the most remarkable collections of 20th century Russian art" and located in one of the world's poorest regions, today these priceless paintings are also a lucrative target for corrupt bureaucrats and Western art profiteers. The endangered collection invites the question — whose responsibility is it to preserve a country’s cultural treasures?Ben Kingsley, Sally Field, and Ed Asner voice the diaries and letters of Savitsky and the artists.Originally broadcast on April 5, 2011
------------------------------------------------------
【技术参数】——
视频编码: x264
比特率: 3714 kbps
Video 画面比例: 1.778:1 (16:9)
Video 分辨率: 1280x720
帧速率: 29.97 帧速率
音频编码: AAC
音频比特率: 135 kbps 48/24 KHz
Audio 声道数: 2
Audio Language: English
时长: 00:56:25
Size: 1.54 GB
来源: 1080i OTA ATSC
编码: joeyjoejoe【Technical Specs】——
Video Codec: x264
Video Bitrate: 3714 kbps
Video Aspect Ratio: 1.778:1 (16:9)
Video Resolution: 1280x720
Framerate: 29.97 fps
Audio Codec: AAC
Audio Bitrate: 135 kbps 48/24 KHz
Audio Channels: 2
Audio Language: English
Run-Time: 00:56:25
Size: 1.54 GB
Source: 1080i OTA ATSC
Encoded by: joeyjoejoe
------------------------------------------------------
相关纪录片:
----------------------------------
Links
Further Information
Episode Site
Series Site
Film Website
Karakalpakstan State Museum of Art Website
Release Post
MVGroup.org (ed2k)
MVGroup.org (torrent)
DocsPT.com
Related Documentaries
Planet Earth II Part 4 Deserts
Hermitage Revealed
The World on a Bike: Uzbekistan
Tightrope Dancers of Uzbekistan
The State Hermitage Museum
The Genius of Carl Faberge (BBC)
Making Mao
Cannibal Island (Kilaohm Productions)
Lucian Freud: Painted Life
Across the Soviet Union
Paradise Found - Islamic Architecture and Arts
The Art of Russia
------------------------------------------------------
本片字幕下载-(纪录片部落:www.xitongle.com)
-----------------------------------
------------------------------------------------------
纪录片部落下载地址:
|
小贴士:【影视自媒体解说文案请移步:夏至文案解说网 www.xiazhi.vip】上一篇:纪录片部落--纪录片《[BBC纪录片]运河的黄金时代TheGoldenAgeofCanals-1080P高清迅雷网盘下载》高清百度云1080p下载下一篇:纪录片部落--纪录片《[PBS纪录片]独裁者剧本系列1:第3部分贝尼托·墨索里尼TheDictatorsPlaybookSeries1:Part3BenitoMussolini-1080P高清迅雷网盘下载》高清百度云1080p下载
|