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[PBS系列]:电视先驱:系列2Pioneers of Television: Series 2-1080P高清迅雷网盘下载
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由Kelsey Grammer主持的文化纪录片,由PBS在2011年出版-英语旁白Culture Documentary hosted by Kelsey Grammer, published by PBS in 2011- English narration
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电视先锋:系列2在电视成长期中,近100位明星在艾美奖提名的纪录片系列电视先锋的第二季中将他们的故事带到PBS。由凯尔西·格拉默(Kelsey Grammer)讲述,每集节目都以令人难以抗拒的档案片段吸引了新的访谈,为电视节目中的名人创立者带来了新鲜感。本季的四个新剧集中介绍了科幻小说,犯罪剧,当地儿童节目和西方人。[编辑]???科幻小说???这一集着眼于1950年代和1960年代美国电视上科幻小说类型的发展。吉恩·罗登贝里(Gene Roddenberry)长期从事电视作家的工作,但他意识到该行业不准备应对诸如种族关系,吸毒成瘾和战争等重大社会问题。通过将他的故事放在一个虚构的未来中,他得以做到这一点,从而《星际迷航》(Star Trek,1966)诞生了。令人惊讶的是,它最大的竞争来自欧文·艾伦(Irwin Allen)制作的《迷失太空》(1965),他同时负责《时光隧道》(1966)和《航行到海底》(1964)。经典系列暮色区域(1959年)设置了很高的标准,其他人只好跟着。[编辑]???西部片???这集评论了美国早期电视上对西方流派的各种贡献。小牛(1957),由詹姆斯·加纳(James Garner)饰演,是一个早期的成功,并以幽默着称。《步枪兵》(1958年)由山姆·佩金帕(Sam Peckinpah)创作,后来因对西方人采取更猛烈的态度而闻名。它使查克·康纳斯(Chuck Connors)成为单亲父母抚养年幼的儿子。Bonanza(1959)与Lorne Greene一起是富有的牧场主,拥有三个成年儿子,被认为从未拥有永久的女性角色。另一方面,大山谷(1965)因其芭芭拉·斯坦威克(Barbara Stanwyck)和琳达·埃文斯(Linda Evans)扮演的坚强女性角色而闻名。由罗伯特·康拉德(Robert Conrad)主演的《狂野西部》(Wild Wild West,1965年)因其故事情节有时离奇而出名,尽管仍然很受欢迎,但在1969年美国政府开始反对电视暴力运动时被取消。高级礼拜堂(1967)中有几位拉美裔演员扮演关键角色,但丹尼尔·布恩(Daniel Boone(1964))收录了许多非裔美国演员,而在美国电视上却很少见到。Gunsmoke(1955),也许是所有人的祖父,以James Arness为美国马歇尔人,很少使用枪支。[edit]??犯罪剧???这一集涉及美国早期电视上的警察和犯罪节目。Dragnet(1951)从广播开始,上电视似乎很自然。制片人兼明星杰克·韦伯(Jack Webb)要求所有对话平淡而无感情地传递,这成为该节目的商标。Untouchables(1959)取得了巨大的成功,但却是引起公众关注小屏幕暴力的首批节目之一。曼尼克斯(Mannix)(1967)表现出深切的关怀,而《碟中谍:不可能》(Mission:Impossible)(1966)具有复杂的情节。I Spy(1965)是第一个以非裔美国人为主导的节目。夏威夷五人制(1968)还以种族为主角,这是又一首歌。在这类影片中,女性的代表人物包括UNCLE的女孩(1966),“霍尼·韦斯特”(1965)和女警(1974),所有角色均以女性主角为特色。“哥伦布”??本地儿童电视???在美国电视的早期,几乎每个本地电视台都有针对儿童的本地制作节目。对于tPioneers of Television: Series 2Nearly 100 stars from TVs formative years bring their stories to PBS in season two of the Emmy nominated documentary series PIONEERS OF TELEVISION. Narrated by Kelsey Grammer, each episode melds compelling new interviews with irresistible archival clips to offer a fresh take on TVs founding celebrities. This season’s four new episodes profile science fiction, crime dramas, local kids' shows, and westerns.[edit] Science Fiction This episode looks at the development of the science fiction genre on US television in the 1950's and 1960's. Gene Roddenberry had long been working as writer in television but realized that the industry was not prepared to deal with major social issues such as race relations, drug addiction and war. By setting his stories in a fictional future, he was able to do that and thus Star Trek (1966) was born. Somewhat surprisingly, its greatest competition came from Lost in Space (1965) produced by Irwin Allen who was also responsible for The Time Tunnel (1966) and Voyage to the Bottom of the Sea (1964). The classic series The Twilight Zone (1959) set a very high bar that the others had to follow.[edit] Westerns This episode reviews various contributions to the western genre on early US television. Maverick (1957), starring 'James Garner' was an early success and noted for its humor. The Rifleman (1958) was created by Sam Peckinpah, later noted for his more violent take on westerns. It starred Chuck Connors as a single parent raising his young son. Bonanza (1959) with Lorne Greene as a rich rancher with three grown sons was noted for never having a permanent female character. The Big Valley (1965) on the other hand was noted for its strong female characters played by Barbara Stanwyck and Linda Evans. The Wild Wild West (1965) starring Robert Conrad was noted for it's sometimes bizarre story lines and although still very popular, was cancelled in 1969 when the US government began a campaign against violence on TV. The High Chaparral (1967) had several Latino actors in key roles and Daniel Boone (1964) included many African-American actors when few were to be found on US television. Gunsmoke (1955), perhaps the granddaddy of them all, featured James Arness as a US Marshall who rarely used his gun at all.[edit] Crime Dramas This episode deals with police and crime show on early American television. Dragnet (1951) started on radio and it seemed a natural to take to TV. Producer and star Jack Webb demanded a flat, emotionless delivery of all dialogue that became the show's trademark. The Untouchables (1959) was a huge success but was among the first shows to raise public concern about violence on the small screen. Mannix (1967) featured a caring private eye while Mission: Impossible (1966) had intricate plots. I Spy (1965) was the first show to have an African-American in a leading role. Hawaii Five-O (1968) also featured a largely ethnic cast, another first. Women were well represented in the genre with the The Girl from U.N.C.L.E. (1966), "Honey West" (1965) and Police Woman (1974) all featuring female protagonists. "Columbo" (1971) and the The Rockford Files (1974) had their own take on crime and were hugely successful.[edit] Local Kids TV In the early years of U.S. television, virtually every local station had a locally produced program aimed at children. For the most part, they had several things in common: they were broadcast live, operated on a shoestring budget, had a central character (often a clown), included puppets and a live studio audience made up of local children. Shows such as Bozo the Clown (1959) and The Wallace and Ladmo Show (1954) (also known as the Wallace and Ladmo Show) made celebrities of Chuck McCann, Pat McMahon and Willard Scott. By the 1960s, Jim Henson had his own take on puppets, which he called Muppets, which became nationally known with the advent of Sesame Street (1969). One major innovation was to franchise a children's show for local production. Perhaps the most successful program of this type was Romper Room and Friends (1953) which at its peak was being produced in over 100 locations. For Bill Cosby, his Fat Albert and the Cosby Kids (1972) was the first platform for African-American kids.
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【技术参数】——
视频编码: x264 CABAC High@L4.1
比特率: CRF-21 (~2682 Kbps)
Video 画面比例: 1280 x 720
Video 分辨率: 1.778 (16:9)
音频编码: AAC LC
Audio: English
音频比特率: 160 kb/s VBR 48 KHz
Audio 声道数: Stereo 2
时长: 56 mins
帧速率: 25 帧速率
分集数: 4
编码器 Mp4
体积: 1.03 GB
来源: HDTV
编码: Harry65
Release Notes
Thanks to bloodeye【Technical Specs】——
Video Codec: x264 CABAC High@L4.1
Video Bitrate: CRF-21 (~2682 Kbps)
Video Aspect Ratio: 1280 x 720
Video Resolution: 1.778 (16:9)
Audio Codec: AAC LC
Audio: English
Audio Bitrate: 160 kb/s VBR 48 KHz
Audio Channels: Stereo 2
Run-Time: 56 mins
Framerate: 25 fps
Number of Parts: 4
Container Mp4
Part Size: 1.03 GB
Source: HDTV
Encoded by: Harry65
Release Notes
Thanks to bloodeye
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相关纪录片:
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Links
Further Information
www.imdb.com
Release Post
MVGroup.org (torrent)
Related Documentaries
Too Young to Die: Series 1
Pioneers of Television: Series 1
Pioneers of Television: Season 3
Pioneers of Television: Season 4
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