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[BBC系列]:琼·阿玛特拉丁:我,我自己,我Joan Armatrading: Me, Myself, I-1080P高清迅雷网盘下载
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罗莎莉·克雷格(Rosalie Craig)主持的艺术纪录片,由英国广播公司(BBC)于2019年出版-英语旁白Arts Documentary hosted by Rosalie Craig, published by BBC in 2019- English narration
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琼·阿玛特拉丁(Joan Armatrading)是英国最有影响力的歌手和词曲作者之一。她是一位全国性的偶像,以其独特的眼光而著称,无论是作家还是表演者。从70年代初到今天,她在世界各地的表演场都卖光了体育场,发布唱片并几乎不停地巡回演出。在这部纪录片中,琼讲述了自己的信仰以及制作成千上万歌曲的独特能力。琼以她的隐逸着称,这是她第一次获得对自己生活和音乐的访问。琼(Joan)讲述了她从加勒比海裔移民到成为当今这一代最受人尊敬的歌曲作者之一的故事,影片讲述了琼(Joan)在伯明翰长大的童年,以及她从小开始写歌的方式。琼(Joan)于1968年加入摇滚音乐剧《头发》(Hair)时遇到了她生活中的一些关键人物。她离开家去游览,并与词曲作者帕姆·内斯特(Pam Nestor)建立了音乐合作关系。他们的合作促成了一项重大唱片交易,并有机会与Elton John的制片人Gus Dudgeon合作。她的专辑《 Whatever's for Us》受到好评如潮,并受到美国西海岸新兴的歌曲创作运动的追捧。专辑标志着70年代英国黑人人口中正在形成的一种新的能量和自由。琼(Joan)被带入音乐界,并与美国主要唱片公司A&M签约了十多年。她创造了自己的歌曲创作风格,克服了刻板印象并打破壁垒,成为英国第一批黑人歌手兼作词人之一。琼恩与摇滚制作人格琳·约翰斯(Glyn Johns)形成了无与伦比的动力,后者与《滚石乐队》(Rolling Stones)一起制作了开创性的专辑,老鹰和谁。当她在1976年创作《爱情与感情》时,她创作了70年代最受欢迎和标志性的歌曲之一。她今年26岁。琼恩(Joan)与格林(Glyn)三年后又创作了三张热门专辑,从70年代初开始,她的音乐就成为女权运动集会的主题。尽管获得了金唱片,国际地位和全球巡回演出,琼还是不得不克服音乐工作室中的厌女症并与音乐界的种族主义作斗争.1978年,鲍勃·迪伦(Bob Dylan)要求她参加他的音乐节BlackBushe。法案中唯一的女人琼(Joan)和埃里克·克莱普顿(Eric Clapton)等摇滚神一起玩。问她到那里的感觉如何,您会听到琼的无所畏惧-“摇滚之神”不会吓到我!在80年代,琼(Joan)拒绝沉迷于70年代的吉他音色中,她将多样化自己的风格,尝试合成器,并找到了一个新的方向来创作音乐,而没有制作人。琼(Joan)也是最早出现在MTV上的黑人英国音乐家之一,创造了创新的音乐录影带,并吸引了从未见过英国黑人女性演奏和唱歌的美国年轻艺术家的想象力。琼获得了格莱美奖提名。三遍,其中一首是How How Cruel,这首歌表达了当时很多英国黑人在英国遇到的种族主义。值得注意的是,它向非裔美国人强调说,大西洋两岸也发生了同样的种族问题。《我,我自己》和《飞行员降落》等歌曲Joan Armatrading is one the most influential singer-songwriters in Britain. A national icon, she is known for her singular vision, both as a writer and as a performer. She has performed around the world to sell-out stadiums, releasing records and touring almost constantly from the early 70s to the present day.In this documentary Joan talks about her self-belief and her unique ability to craft songs that have spoken to millions. Known for her reclusiveness, Joan has, for the first time, granted access to her life and music. Joan tells her story from Caribbean émigré to becoming one of the most revered songwriters of our generation.The film covers Joan's childhood growing up in Birmingham, and how she began writing songs from a young age. Joan met some of the key people in her life when she joined the rock musical Hair in 1968. She left home to go on tour and forged a musical partnership with songwriter Pam Nestor. Their collaboration led to a major record deal and an opportunity to work with Elton John's producer, Gus Dudgeon. Her album, Whatever's for Us, received rave reviews and chimed with the burgeoning songwriting movement on the west coast of America. The album signalled a new energy and freedom taking shape in the 70s in Britain among the black population. Joan was propelled into the musical stratosphere, signing with major American label A&M for over ten years. She created her own genre of songwriting, defying stereotypes and breaking barriers, becoming one of the first black singer-songwriters in Britain.Joan went on to forge an unbeatable dynamic with rock producer Glyn Johns, who had produced seminal albums with the Rolling Stones, the Eagles and the Who. She created one of the most-loved and iconic songs of the 70s when she wrote Love and Affection in 1976. She was 26 years old. It was a song that took simple emotional fragility and made it somehow both sensuous and raunchy.Joan made three more hit albums in three years with Glyn and her music would become anthemic to the feminist movement gathering pace since the early 70s. Despite her gold records, international status and touring worldwide, Joan had to overcome misogyny in the music studio and fight racism in the music business.In 1978, Bob Dylan asked her to play at his festival BlackBushe. Joan, the only woman on the bill, played alongside rock gods such as Eric Clapton. Ask her how she felt, being up there, and you will hear Joan's fearlessness - ‘The Rock Gods don't scare me!' - showing the determination and strength that contributed to her success.By the 80s, Joan refused to be pigeonholed into a 70s guitar sound and she would diversify her style, experimenting with synths and finding a new direction to create music without a producer. Joan was also one of the first black British musicians to appear on MTV, creating innovative music videos and capturing the imagination of younger artists in the States who had never seen a British black woman play and sing like her before.Joan was nominated for a Grammy three times, one of which was for the song How Cruel, a song that articulated the racism that many black British people encountered in the UK at the time. Notably, it highlighted to African-Americans that the same problems with race were happening on both sides of the Atlantic.Songs like Me Myself I and Drop the Pilot became overnight hits in the 80s, testimony to Joan's consummate songwriting ability. By the late 80s, Joan was one of the first women to write, arrange and produce all her albums, building a music studio at her home and working with the likes of Elton John, Pino Palladino and Mark Knopfler.As well as unprecedented access to Joan, watching her play a sold-out tour, the film features exclusive, previously unseen archive and interviews with key collaborators from music producers Glyn Johns and Steve Lillywhite to musician Pino Palladino. The film also features interviews and cover versions of Joan's songs, from Martha Wainwright singing Me Myself I and Meshell Negeocello covering How Cruel to Shingai Shoniwa from the Noisettes performing Love and Affection.
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【技术参数】——
视频编码: x264 CABAC High@L3.1
比特率: CRF 19 (~2028Kbps)
Video 分辨率: 1280x720
Video 画面比例: 16:9
帧速率: 25 帧速率
音频编码: AAC-LC
音频比特率: Q=0.46 VBR 48KHz (~126Kbps)
Audio 声道数: 2
时长: 59 mins
分集数: 1
体积: 908 MB
来源: HDTV
编码: JungleBoy【Technical Specs】——
Video Codec: x264 CABAC High@L3.1
Video Bitrate: CRF 19 (~2028Kbps)
Video Resolution: 1280x720
Video Aspect Ratio: 16:9
Frame Rate: 25 FPS
Audio Codec: AAC-LC
Audio Bitrate: Q=0.46 VBR 48KHz (~126Kbps)
Audio Channels: 2
Run-Time: 59 mins
Number Of Parts: 1
Part Size: 908 MB
Source: HDTV
Encoded by: JungleBoy
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相关纪录片:
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Links
Further Information
BBC
Release Post
MVGroup.org (torrent)
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