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[Tate Productions系列]：罗伊·利希滕斯坦Roy Lichtenstein-1080P高清迅雷网盘下载
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艺术，传记纪录片由梅尔文·布拉格（Melvyn Bragg）主持，由泰特制作公司（Tate Productions）在2007年出版-英语旁白Arts, Biography Documentary hosted by Melvyn Bragg and published by Tate Productions in 2007- English narration
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剧情简介1990年，梅尔文·布拉格（Melvyn Bragg）在《南岸秀》（South Bank Show）上采访了罗伊·利希滕斯坦（Roy Lichtenstein），并在纽约的工作室拍摄了这位画家的作品。利希滕斯坦（Lichtenstein）于1997年去世，他在1964年被一家报纸称赞为“今日美国最差艺术家之一”。但他的作品现在卖出了数千万。在纪录片的开场时刻，我们看到了他的鱼雷……失落！利希滕斯坦（Lichtenstein）的作品在拍卖会上以550万美元的价格创下了当时的纪录。利希滕斯坦（Lichtenstein）是一个很难被讨厌的人，有着纯真的眼神和诚实的天性。他和布拉格从著名的扩大漫画板和他对Benday点的商标使用开始追溯了一个非凡的职业生涯。利希滕斯坦（Lichtenstein）还展示了他的摄影机放大过程以及南岸秀（South Bank Show）的各种可识别技术，例如艺术家将他的作品作为架空投影来面对时，效果很好。对话继续到后来的作品，包括他与艺术史以及什么使艺术成为艺术的古老问题。利希滕斯坦在漫画和广告“巨大力量”的启发下，运用波普艺术的当代意象来复制毕加索的著名作品。类似地，莫奈的鲁昂大教堂绘画以鲜明的机械拼贴或“机器印象派”呈现。这部影片还伴随着利希滕斯坦第一次亲眼目睹毕加索的一些作品。画家可能不会去看他以前非常崇拜的艺术家的作品，这也许有点奇怪，但这实际上反映了一种普遍的艺术孤立主义。正如利希滕斯坦（Lichtenstein）早些时候承认的那样，“我还没有生活过我描绘的那种美国。”事实上，这位画家过来时是一种微妙的习惯动物-据布拉格说，他“很少出去”除了他和妻子每天，同一时间，同一张桌子共进午餐的晚餐。同样，当他接受委托为时代广场地铁站制作壁画时，他甚至拒绝参观预期的地点。利希滕斯坦保持自己与世隔绝，在最后的序列中暗示了这个问题，这些怪癖是对他艺术发展的帮助还是阻碍。SynopsisIn 1990 Melvyn Bragg interviewed Roy Lichtenstein for The South Bank Show, filming the artist in his studio in New York. Lichtenstein, who died in 1997, was the artist hailed by one newspaper in 1964 as ‘One of the Worst Artists in America Today’ but whoseworks now fetch tens of millions. In the opening moments of the documentary we see his Torpedo...Los! achieve $5.5 million at auction, a record at the time.Lichtenstein is a man who one would have found very difficult to dislike, with a twinkling innocence and an honesty that is innately watchable. He and Bragg trace the progress of a remarkable career beginning with his famous enlarged comic strip panels and his trademark use of the Benday dot. Lichtenstein also demonstrates his process of enlargement for the cameras and various recognisable techniques of The South Bank Show, such as the artist confronting his work as an overhead projection, are used to good effect.The conversation proceeds to later works, including his keen engagement with art history and the age-old question of what makes art, art. Lichtenstein uses the contemporary imagery of Pop Art, inspired by comic strips and "the tremendous force" of advertising, to make reproductions of famous works by Picasso. Similarly, Monet’s Rouen Cathedral paintings are rendered in a stark, mechanical collage, or "Impressionism by machine". The film also accompanies Lichtenstein as he goes to see some of Picasso’s work at first hand for the first time. It may strike one as odd that the painter would not have gone to see the work of an artist he so greatly admires before, but actually this reflects a prevalent strain of artistic isolationism. As Lichtenstein has earlier acknowledged, "I haven’t lived in the kind of America that I portray."The artist, in fact, comes over as rather a delicate creature of habit -- according to Bragg he "rarely goes out" except to the diner where he and his wife have lunch every day, same time, same table. Similarly, when he accepts a commission to create a mural for the Times Square subway station he declines even to visit the intended site. Lichtenstein keeps himself very insulated, and the question remains, hinted at in the final sequence, whether these eccentricities have been a help or a hindrance to his artistic development.
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【技术参数】——
视频编码: XviD
比特率: 1796 kbps
Video 分辨率: 640 x 480
Video 画面比例: 1:33
音频编码: AC3
音频比特率: 192 kbps 48000Hz
音频语言: English
体积: 700mbs
分集时长: 50mins
发布人： artistharry【Technical Specs】——
Video Codec: XviD
Video Bitrate: 1796 kbps
Video Resolution: 640 x 480
Video Aspect Ratio: 1:33
Audio Codec: AC3
Audio Bitrate: 192 kbps 48000Hz
Audio Languages: English
Part Size: 700mbs
Runtime: 50mins
Ripped By artistharry
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相关纪录片：
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Links
Further Information
en.wikipedia.org
Release Post
MVGroup.org (ed2k)
MVGroup.org (torrent)
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发表于 2020-7-13 23:45:04
发表于 2020-8-9 16:18:50