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人文纪录片《极权养成记/A Flood In Baath Country》全1集-纪录片资源1080P/720P/360P高清标清网盘迅雷下载
极权养成记 (2005)
导演: 奥马尔·阿米尔拉雷
类型: 纪录片
制片国家/地区: 叙利亚 / 法国
语言: 阿拉伯语
上映日期: 2005-04-23(翠贝卡电影节)
片长: 46分钟
又名: 复兴党国家的洪灾 / Déluge au pays du Baas / Toufan Fi Balad Al Ba'ath / A Flood In Ba'ath Country / A Flood In Baath Country
IMDb: tt0455950
极权养成记的剧情简介 · · · · · ·
Omar Amiralay是叙利亚最著名的纪录片导演，从70年代就开始拍摄纪录片，大多涉及到阿拉伯世界特殊而敏感的政治、宗教和民俗文化，作品多次被禁，本人也曾流亡海外多年。
奥马尔·阿米拉利是叙利亚最著名的纪录片导演，从70年代就开始拍摄纪录片，大多涉及到阿拉伯世界特殊而敏感的政治，宗教和民俗文化，作品多次被禁，本人也曾流亡海外多年。
叙利亚/法国导演 ，2003 年，彩色。46 分钟 阿拉伯语配英文字幕。
1970 年，奥马尔·阿米拉莱 (Omar Amiralay) 制作了一部关于幼发拉底河大坝的短片纪录片，赞扬执政的复兴党建设令人印象深刻的水坝系统的计划。今天，在发现了致命的建筑缺陷之后，他备受争议的新电影《复兴国的洪水》探讨了这种弱点的隐喻含义。在没有评论或批评的情况下，Amiralay 的电影揭露了复兴党的宣传及其对大马士革东北 400 公里（250 英里）的 al-Mashi 村人民的破坏性影响。镜头慢慢地从学生到老师再到政府官员，每个人都在背诵对总统的完全相同的赞美和颂扬复兴党的口号。这部电影是迄今为止对该政权最严厉的控诉，
“相比之下，奥马尔·阿米拉莱 (Omar Amiralay) 的纪录片并没有什么神秘之处。他们尽可能直言不讳——然而，他们也通过令人难忘的强烈形象表达了他们的论点。” – Stuart Klawans, The Nation
导演的第一部影片是一部以幼发拉底河大坝的荣耀为主题的短片，这是执政的复兴党的骄傲。“我为这个年轻的错误感到遗憾”。33 年后，他在乡村教室里揭开了工作中的灌输。
相比之下，奥马尔·阿米拉莱 (Omar Amiralay) 的纪录片并没有什么神秘之处。他们尽可能直言不讳——然而，他们也通过令人难忘的强烈形象来表达他们的论点。他最有影响力的电影之一是复兴国家的洪水 (2003)，它为您概括了 Amiralay 的职业生涯。1970 年，刚从电影学校毕业并满怀对复兴党政权的热情，他制作了一部名为“幼发拉底大坝电影散文”的短片。在复兴国的洪水的开头，您会看到这部早期作品的镜头：大坝建设的简要视图，以专业模仿 Amiralay 心爱的 Dziga Vertov 的方式拍摄。与此同时，在配乐中，当今的 Amiralay 谈到了他制作这样一部电影的痛苦。建筑以次充好；大坝已经致命地倒塌。
A Flood in Baath Country
[TUFAN FI BALAD EL-BA'TH]
Directed by Omar Amiralay
Syria/France, 2003
Color. 46 min. Arabic with English subtitles.
In 1970, Omar Amiralay made a short documentary, Film-Essay on the Euphrates Dam, in praise of the ruling Baath party's project to construct an impressive system of dams. Today, after fatal construction flaws have been discovered, his controversial new film, A Flood in Baath Country, explores the metaphorical implications of such weakness. Without commentary or criticism, Amiralay's film exposes Baath party propaganda and its debilitating effects on the people of al-Mashi village, 400 kilometers (250 miles) northeast of Damascus. The camera moves slowly from students to teachers to government officials, with everyone reciting the exact same praises for the president and slogans glorifying the Baath party. The film is the harshest indictment yet of the regime, portraying the devastating effects of 35 years of rigid Baath party rule on Syrian society.
"There is nothing enigmatic, by contrast, about Omar Amiralay's documentaries. They're as outspoken as can be--and yet they, too, convey their argument through unforgettably strong images." – Stuart Klawans, The Nation
The filmmaker's first film is a short film to the glory of the Euphrates dam, the pride of the ruling Baath party. "I regret this youthful error". 33 years later, he unveils the indoctrination at work in the village classroom.
There is nothing enigmatic, by contrast, about Omar Amiralay's documentaries. They're as outspoken as can be--and yet they, too, convey their argument through unforgettably strong images. Among the most forceful of his films is A Flood in Baath Country (2003), which has the added benefit of encapsulating Amiralay's career for you. In 1970, fresh out of film school and fired with enthusiasm for the Baath regime, he made a short titled Film-Essay on the Euphrates Dam. At the beginning of A Flood in Baath Country, you see footage from this early work: brief views of dam construction, shot in expert imitation of Amiralay's beloved Dziga Vertov. Meanwhile, on the soundtrack, the present-day Amiralay speaks of his distress at having made such a film. Construction was shoddy; dams have fatally collapsed. As for the artificial Lake Assad, beneath whose waters stand inundated villages, it now seems to Amiralay to be the perfect symbol of the Baath regime, which seeks to submerge all life in Syria.
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人文纪录片《极权养成记/A Flood In Baath Country》全1集-纪录片资源1080P/720P/360P高清标清网盘迅雷下载
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