人文社科纪录片《失，失，失》(1976)Lost, Lost, Lost-纪录片下载1080P/720P/360P高清标清网盘BT迅雷下载
失，失，失(1976)
Lost,Lost,Lost
导演：
乔纳斯·梅卡斯
主演：
乔纳斯·梅卡斯/阿道法斯·梅卡斯/肯·雅各布斯/彼得·比尔德/艾德·艾姆许维勒
类型：纪录片
地区：美国
语言：英语
片长：173分钟
豆瓣得分：7.9
IMDb：tt0209110
剧情简介
1976美国纪录片《失，失，失》由乔纳斯·梅卡斯导演，乔纳斯·梅卡斯主演，影片讲述的是：WaldenmayhavebeenMekasfirstdiaryfilmbutthefilmthatincorporatedMekasearliestfootagewastheonethattoldthestoryofhispostwararrivalinAmericaLostLostLostThefilmisdividedintotwopartsthefirstconcernslifeintheLithuaniancommunityofWilliamsburgandthesecondchroniclesMekasmovetoManhattanandhisintegrationintotheindependentfilmandartscenesofNewYorkHereMekasisathismostdeeplypersonalHedescribesthelonelinessandstruggleofthoseearlyyearswithmournfulmusicandspokenlaments“LonglonelydayslonglonelynightsTherewasalotofwalkingthroughthenightsofManhattanIdontthinkIhaveeverbeenaslonely”MekasalsocloselyfollowsthelivesofhisfellowLithuanianimmigrantsDuringagatheringinConnecticutheexplains“occasionallyweusedtoescapetoStonybrookplaceswhereimmigrantsexchangedtheirmemoriesWeallgatheredtherewealllivedonmemoriesthere”AsthefirstsectionprogresseshoweveratensiondevelopsbetweenMekasandtheotherimmigrantsThoughMekassympathiseswiththemhegrowsincreasinglydisenchantedwiththeirhopestoreformandreturntoLithuaniaBytheendofthereelheleavesthecommunityinWilliamsburgandmovestoManhattanThesewereourlasttimestogetherIbegantofeelthatIhadbeenturningononespotaroundmymemoriesIbegantofeelifanythingcanbedoneforLithuaniaitcanonlybedonebythepeoplethatlivethereThattheonlywaythatIcanbeusefultoLithuaniaisbybuildingmyselffromscratchfromthebeginningandthengivingmyselfbacktoitbacktoLithuaniahoweverIamParttwothesectionentitled“DiariesNotesSketches”describesthebeginningsofMekasinvolvementintheundergroundfilmcommunityandhisgradualestablishmentofrootsinManhattanItincludesunfinishedscenesfromthefirstfilmthatheandAdolfasworkedonastoryaboutawomanwhopresagesthedeathofherhusbandThisisalsodocumentaryfootageofMekasonthesetofGunsoftheTreesstandingwithhisarmscrossedandjawtensingobviouslyuncomfortableLivinginNewYorkandmakingfriendsMekasgainsinenthusiasm“Itwasexcitingeverythingwasnew”StillMekasisalongwayfromthejubilantlifeportrayedinWaldenHeadmits“thereisverylittleknownaboutthisperiodofourprotagonistslifeItsknownthathewasveryshyandverylonelyduringthisperiodHeusedtotakelonglongwalksHefeltveryclosetotheparkstothestreettothecity”WhatdominatesthesecondpartofLostLostLostisMekasimperativetofilmHeisdrawntothebraveryofpeoplewhoinsistonbeingheardtheprotestersgatheredatCityHallpamphleteershailinga“NewAmerica”andtheleafletwomenwhostoodoutsideonthecoldestdayoftheyearWithhiscameraeyehegivesthemtherecognitiontheyseek“Ihaveseenyoutheleafletwomen”hecalls“TheyareknowninraininsnowincoldinhotsummerdaysIveseenyoutheleafletwomen”AsMekasvoiceshissaluteinthemomentofeditinghoweveritisdecadeslaterlongafterthestrugglesthemselveshavebeenforgottenMomentslaterherevealsadeepermotiveforfilming“ItsmynaturenowtorecordTotrytokeepeverythingImpassingthroughtokeepatleastbitsofitIhavelosttoomuchsonowIhavethesebitsthatIhavepassedthrough”The“toomuch”thatMekasreferstohisprewarlifeandirretrievablechildhoodresonateaslossintheimageshedoesmanagetocollectMekasinsistencetofilmisdirectlytiedtohisneedtoholdontothepiecesofhislifesohewillnotloseanymorethanhealreadyhasThethirdreelcontainstheunfinished“RabbitShitHaikus”vignettesfilmedwhileAdolfaswasshootingHallelujahtheHills1963HereMekastellsthestoryoftherabbitshitattheendoftheroadalbeitadifferentandslightlydarkerversionthantheonethatappearedinhisjournalIHadNowheretoGo1944–1955InajournalentryfromDecember301951themanwhoreachedthefabledendoftheworldlaughedwhenallhefoundwasrabbitshitrealisingthefoolishnessofhislongyearsofeffortTheLostLostLostversionhowevertoldovertwentyyearslaterdescribeswhathappenedwhenthemanreturnedhomenoonebelievedhimTheRabbitShitHaikusinclude31viewsofmostlynaturalsubjectstreessnowylandscapesandtheskyMekasintroduceshissubjectsbyspeakingtheirnamesthreetimesinaslowincantatorycadence“thesunset…thesunset…thesunset…”or“thechildhood…thechildhood…thechildhood…”HeandAdolfasfrolicinthesnowlikechildrenInoneshotJonasdancesthroughthefallingsnowwithhisaccordionInanotherAdolfasslidesdownintothesemifrozenriverMekaswasnevercompletelysatisfiedwiththe“RabbitShitHaikus”butnestledwithinLostLostLostevenintheirunfinishedformtheygivethefilmasenseofpeaceandsimplicitynotfeltperhapssinceMekasfirstleftLithuaniaIntemperamentthe“RabbitShitHaikus”havemoreincommonwithMekaslaterfilmsabouthisfamilyParadiseNotYetLostandAsIWasMovingAheadTheirappearanceinLostLostLostthefilmthatconcernsMekasdifficultfirstyearsinAmericaofferanexpressionofhopeforwhatcouldbeEmbeddedintheimagesofLostLostLostthereisalsothestoryofamaturingfilmmakerwhointhebeginningposesawkwardlyfortestshotsandusesatripodforportraitsinblackandwhiteBytheendMekashasbeguntoperfecthistechniqueLateinthefilmMekasdescribesasceneatafilmseminaratFlahertywhereheandKenJacobsweredeniedentryTheysleepoutsideinthebedoftheirtruckandawaketoacoldfoggymorninginavastfieldMekasusessomeofJacobsfootagetoshowhimselfwithablanketwrappedaroundhisshouldersguidinghisBolexinwideloopinggesturesThenhecutstothefootagehewasshootingItisasifMekascameraloosensWeseemomentaryburstsofsingleframestherapidandblurrymotionofhiscamerainterruptedbystartlingdetailofthewildflowersinthegrassThisisthefirstinstanceofwhatwouldbecomerecognisableasMekassignaturestyleanditsrealisationatFlahertywheretheestablishedfilmcommunityhadrejectedhimcoincidesperfectlywiththeemergenceofadistinctivewayofseeingThelastscenesinthefilmoccuratabeachinStonybrookwhereMekashadbeentenyearsbeforewiththeLithuanianémigrésAshefilmshisfriendswadinginthewaterherealisesthathehadbeenonthebeachbefore“IhavebeenherebeforeIhavereallybeenherebefore”hesayswithsomeamazementAshisfilmicrestorationofLithuaniainReminiscencesallowedhimtomoveforwardonthepathheshouldhavegoneietoViennatherecognitionofthebeachatStonybrookgiveshimasenseoffixityinanotherwiseuncertainfateLostLostLostthoughitcontainsMekasearliestfootagewaseditedonlyafterMekassawhiscommunityblossominWaldenandafterhehadregainedhishomelandinReminiscencesItisasifthepainfulthemesofexileandlosscouldonlybeexploredafteraconsiderablelengthoftimehadlapsedthoughinreviewinghisfilmedmemoriesitisclearthattheywereneverentirelygoneInonetellingscenehelooksathisfriendfilmmakerBarbaraRubinshairasshesitsbesideafountainPerhapsrecognisingahairstylefromlongagoheinterjects“Nonohewontlookback”Mekaspullsawayturninghisattentionto“theunpredictableandunknown”astheimageofawomansfaceappearsengulfedbyenormousbubblegumballoons
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人文社科纪录片《失，失，失》(1976)Lost, Lost, Lost-纪录片下载1080P/720P/360P高清标清网盘BT迅雷下载
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发表于 2021-7-27 00:21:57
发表于 2021-10-22 16:42:37