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纪录片《假或财富？收藏/Fake or Fortune? Collection 》 - 纪录片1080P/720P/360P高清标清网盘迅雷下载
Fake or Fortune? Collection
一般信息：由BBC发布的Fiona Bruce和Philip Mold的艺术纪录片，2014年 - 英语叙述
信息：<
>假或财富？ CollectionJourna学家Fiona Bruce与艺术专家菲利普霉菌队调查绘画背后的谜团。它是一个诡计和阴谋的世界，因为他们与复杂的战斗抓住经常在明显的绅士艺术建立下看不见。他们的睡眠将他们从纽约到达开罗和开普敦，因为他们在被盗和有争议的艺术作品背后的线索，并沿途揭开了大师锻炼的工作。艺术界可以证明熊坑，在工作中有一个无数的窍门。专家估计，市场上的20％-40％的艺术作品之间的任何东西都被伪造。他们可以在最意想不到的地方出现。这一收集是由第1,2和3系列<h3> Monet：1 </h3>在开放集团中，菲奥娜菲利普发现他们认为是莫奈无法识别和有价值的绘画。但他们可以说服那些是谁？<h3>荷马：1 </h3>在这一集中，焦点落在垃圾倾倒倾倒的绘画中，这反过来是美国最重要的19日之一失去的工作世纪艺术家，Winslow Homer。对所有有关的震惊，它的价值为25万美元。但谁合法拥有这张照片，为什么它在这样一个不太可能的地方发现？菲利普和菲奥娜调查。<h3>范Meegeren：1 </h3>菲奥纳布鲁斯和菲利普模具调查了20世纪初的迷人的富有者汉帆Meegeren的官员，他的旧大师的假期绘画。使用现代法医科学，演示者解开了他的技术的复杂性，并调查声明伦敦画廊中的一块可能是van Meegeren的手工的最后例子。<h3> Degas和Little Dancer：2系列</h3> Fiona布鲁斯和专家菲利普模具调查更多艺术品的神秘起源。他们首先检查一幅画，所有者帕特里克·米望者是埃德加·迪瓦斯。如果是正确的，它可能是500,000英镑。然而，虽然帕特里克的父亲于1945年从一个信誉良好的经销商那里买到了它，但这件作品未能使艺术家工作的官方目录 - 这意味着它并未被拍卖房屋被归类为真实的房屋，目前只有200英镑的价值。 Fiona和Philip通过时间追溯艺术品，了解它是否真的是由一个创建的法国最伟大的艺术家。<h3>特纳误判司法：2系列</h3>菲奥纳布鲁斯和专家菲利普模具探索遗赠到1951年的所有者在1951年去世时留下了国家威尔士博物馆的三个绘画的历史。它总是相信这件作品是由景观艺术家JMW TURNER，但博物馆拥有所有权后，专家们只有几个月的人在画廊墙上品牌制造出来。现在菲利普宣布一劳永逸地证明他们的真实性。<h3> Van Dyck下面是什么：2系列</h3>桌子被转动，因为艺术侦探菲利普模具在显微镜下放置了他自己的一个发现，他认为他认为他可能是17世纪艺术家安东尼Van Dyck的工作。如果他是对的，它可能是一个小财富。但是o证明这一点，该件将不得不经历彻底的恢复，涉及去除涂料层 - 然后通过公正专家进行认证。菲利普的声誉 - 和绘画 - 使其毫伤地谈判到旅程结束时？<h3> Vuillard：3 </h3> Fiona Bruce和Philip More调查更多潜在的有价值的艺术品，从帮助一个相信他拥有的人法国后印象派爱德拉德的一幅画。寻求出处的追求在日内瓦，菲利普将图片与1919年创建的巨大的Vuillard工作进行比较，试图找出两者中使用相同的材??料，而Fiona揭示过图片的线索在法国和荷兰的目的。一旦他们有足够的证据，他们就会寻求威尔的批准丹斯坦研究所在巴黎 - 但这些是同一个专家，他在第一集中臭名昭着拒绝高度可信的莫奈。他们做得足以证明这张照片是真实的吗？<h3>警察：3 </h3>菲奥娜布鲁斯和菲利普·模具在两次挑战时，他们试图证明这两个绘画缺少了英国最受欢迎的艺术家之一，约翰治安。他们正在帮助西伦敦女子吉莉舞蹈，雅各的码头的照片与艺术家的家人有着密切的联系，以及美国律师汤姆Toppin，他们一直在努力证明他的照片的真实性，从而努力证明他的照片，海滩布莱顿曾经在20世纪90年代初买它。所有业主都会是个好消息吗？<h3> Chagall：3系列</h3> Fiona Bruce和菲利普霉菌帮助房地产开发商马丁郎试图证明他于1992年买的绘画是由现代Marc Chagall。搜索线索在白俄罗斯前苏联共和国的艺术家家庭镇Vitebsk，菲奥娜在工作和Chagall的生命故事之间建立联系。然而，事情采取了更负面的转折，并在明斯克出售的假Chagall新闻，当科学检测比答案提出更多问题时，菲利普向洛杉矶旅行，咨询伪造。 22年前花费了10万英镑的所有者是一场精明的投资或昂贵的错误吗？<h3> Gainsborough：第3系</h3>焦点转向英国的公共艺术系列，其中17,000个绘画被列为“艺术家未知'。来自这些菲利普莫ULD和他的研究总监Bendor Grosvenor确定了他们认为是托马斯·戈伯勒的几个作品。他们选择了两幅画作，第一个是第18世纪的圣奥纳斯市长Joseph Gape肖像，即谨慎的人认为历史可以追溯到艺术家的日子，虽然他需要说服世界领先的戈伯勒专家。菲利普的选择是一种罕见的景观，当艺术家正在尝试梦幻般的场景时画画。但为什么保护主义者Aviva Burnstock被独特的蓝色颜料陷入困境？ <
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>视频：编解码器：x264 cabac main@l3.0 <
>视频：比特率：1648 kbps <
>视频：宽高比：1.778（16：9）<
>视频：分辨率：832 x 468 <
>音频：编解码器：AAC LC <
>音频：比特率：128 kbps vbr 48khz <
>音频：频道：立体声：音频（2/0）<
>音频：英语<
>运行时间：59mins <
>帧数：25fps <
>部分：10 <
>零件尺寸：平均687 MB <
>容器：MP4 <
>来源：PDTV <
>编码：Harry65 <
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纪录片关键词：
【假或财富？集合，脱斯和小舞者，纪录片，假英国，假冒或财富：8系列8，假或财富？：5 - 肖像 - 肖像，假或财富？：Vuillard，假或财富？双人Whodunnit，假或财富？ 4系列，假或财富？ 4系列：Renoir，假或财富？ 5系列：罗丁】
【艺术，菲达布鲁斯，菲利普模具，BBC，2014，英语】
Fake or Fortune? Collection,Degas and the Little Dancer,Documentary,Fake Britain,Fake or Fortune: Series 8,Fake or Fortune?: Series 5 - Portraits,Fake or Fortune?: Vuillard,Fake or Fortune? A Double Whodunnit,Fake or Fortune? Series 4,Fake or Fortune? Series 4: Renoir,Fake or Fortune? Series 5: Rodin
Arts,Fiona Bruce,Philip Mould,BBC,2014,English
General Information：
Arts Documentary hosted by Fiona Bruce and Philip Mould, published by BBC in 2014- English narration
Information
Fake or Fortune? Collection
Journalist Fiona Bruce teams up with art expert Philip Mould to investigate mysteries behind paintings. It is a world of subterfuge and intrigue as they grapple with complex battles often unseen beneath the apparently genteel art establishment. Their sleuthing takes them from New York to Cairo and Cape Town as they unpick clues behind stolen and contested works of art, and unmask the work of a master forger along the way. The art world can prove a bear pit, with a myriad of tricksters at work. Experts estimate that anything between 20%-40% of works of art on the market are faked. And they can turn up in the most unexpected places.
This Collection is made up from Series 1, 2 and 3
Monet: Series 1
In the opening episode, Fiona and Philip discover what they believe is an unrecognised and valuable painting by Monet. But can they convince the powers that be?
Homer: Series 1
In this episode, the focus falls on a painting found dumped by a rubbish tip which turns out to be a lost work by one of America's most important 19th century artists, Winslow Homer. In a shock for all concerned, it is valued at 250,000 dollars. But who legally owns the picture, and why was it found in such an unlikely place? Philip and Fiona investigate.
Van Meegeren: Series 1
Fiona Bruce and Philip Mould investigate the career of notorious forger Han van Meegeren, who fooled galleries and buyers in the early 20th century with his fake versions of paintings by Old Masters. Using modern forensic science, the presenters unpick the intricacies of his technique, and investigate claims that a piece in a prestigious London gallery could be the final example of van Meegeren's handiwork.
Degas and the Little Dancer: Series 2
Fiona Bruce and expert Philip Mould investigate more works of art with mysterious origins. They begin by examining a painting that owner Patrick Rice believes is by Edgar Degas. If correct, it could be worth about ￡500,000. However, although Patrick's father bought it from a reputable dealer in 1945, the piece failed to make the official catalogue of the artist's work - meaning it is not classed as genuine by auction houses and is currently valued at only ￡200. Fiona and Philip trace the artwork back through time to find out whether it really was created by one of France's greatest artists.
Turner a Miscarriage of Justice: Series 2
Fiona Bruce and expert Philip Mould explore the history of three paintings bequeathed to the National Museum of Wales when their owner died in 1951. It was always believed the pieces were by landscape artist JMW Turner, but only months after the museum took ownership, experts branded them fakes and unfit to hang on the gallery walls. Now Philip sets out to prove their authenticity once and for all.
Van Dyck What Lies Beneath: Series 2
The tables are turned as art detective Philip Mould puts one of his own finds under the microscope, a painting he bought that he believes could be the work of 17th-century artist Anthony van Dyck. If he is right, it could be worth a small fortune. But to prove it, the piece will have to undergo a thorough restoration, involving the removal of layers of paint - and then be authenticated by an impartial expert. Will Philip's reputation - and the painting - make it to the end of the journey unscathed?
Vuillard: Series 3
Fiona Bruce and Philip Mould investigate more potentially valuable works of art, beginning by helping a man who believes he owns a painting by French post-impressionist Edouard Vuillard. The quest for provenance begins in Geneva, where Philip compares the picture with a huge Vuillard work created in 1919, trying to find out whether the same materials were used in both, while Fiona uncovers clues to the picture's origins in France and Holland. Once they have enough evidence, they seek the approval of the Wildenstein Institute in Paris - but these are the same experts who notoriously rejected a highly credible Monet back in the very first episode. Have they done enough to prove this picture is genuine?
Constable: Series 3
Fiona Bruce and Philip Mould take on a double challenge as they try to prove two paintings are missing works by one of Britain's best-loved artists, John Constable. They are helping west London woman Gillie Dance, whose picture of Yarmouth Jetty turns out to have a close connection to the artist's family, and American lawyer Tom Toppin, who has been struggling to prove the authenticity of his picture, Sea Beach Brighton, ever since buying it in the early 1990s. Will it be good news for either of the owners?
Chagall: Series 3
Fiona Bruce and Philip Mould help property developer Martin Lang try to prove the painting he bought in 1992 is by modern master Marc Chagall. The search for clues leads to the artist's home town of Vitebsk in the former Soviet republic of Belarus, where Fiona makes a connection between the work and Chagall's life story. However, things take a more negative turn with news of a fake Chagall being sold in Minsk, and when scientific testing raises more questions than answers, Philip travels to Los Angeles to consult a forger. Will the ￡100,000 the owner spent 22 years ago turn out to have been a shrewd investment or an expensive mistake?
Gainsborough: Series 3
The focus turns to Britain's public art collections, in which 17,000 paintings are listed as `artist unknown'. From these Philip Mould and his research director Bendor Grosvenor identify several works they believe are by Thomas Gainsborough. They choose two paintings, the first being an 18th-century portrait of St Albans mayor Joseph Gape that Bendor thinks dates back to the artist's days as a high-society portrait painter - although he'll need to convince the world's leading Gainsborough expert. Philip's choice is a rare landscape, painted when the artist was experimenting with dreamlike scenes. But why is conservationist Aviva Burnstock troubled by a distinctive blue pigment?
Technical Specs
Video: Codec: x264 CABAC Main@L3.0
Video: Bitrate: 1648 Kbps
Video: Aspect Ratio: 1.778 (16:9)
Video: Resolution: 832 x 468
Audio: Codec: AAC LC
Audio: Bitrate: 128 Kbps VBR 48KHz
Audio: Channels: stereo (2/0)
Audio: English
Run-Time: 59mins
Framerate: 25fps
Number of Parts: 10
Part Size: average 687 MB
Container: Mp4
Source: PDTV
Encoded by: Harry65
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纪录片《假或财富？收藏/Fake or Fortune? Collection 》 - 纪录片1080P/720P/360P高清标清网盘迅雷下载
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小贴士：【影视自媒体解说文案请移步：夏至文案解说网 www.xiazhi.vip】上一篇：纪录片《假或财富？一个双人的whodunnit/Fake or Fortune? A Double Whodunnit 》 - 纪录片1080P/720P/360P高清标清网盘迅雷下载下一篇：纪录片《假或财富？第4系列/Fake or Fortune? Series 4 》 - 纪录片1080P/720P/360P高清标清网盘迅雷下载
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发表于 2021-9-14 14:39:49
发表于 2021-9-19 17:31:01